o sectors in the Britain, those who were known as the well-off only had to occupy the villas and the poor who were the majority occupied the Celtic houses.
The villas have paints on the tops which were different and the changing artistic styles. The walls were not or never plastered, this different information in the artist’s works was mostly borrowed from the Greeks art. The arts found in the Romans are presumed to be borrowed from the Greek hence most of the art work of the Roman villas and the Greek villas are same and closely related (Elaine K. Gazda). The presences of the Romans villas in other provinces show Romanization and the acceptance of the architectural forms and practices by the local elite. The proliferation of the villas in the Italy is a drastic transformation of the economy, it is regarded as capitalism in the empire and it was a clear indication of division in the social class. The villas are considered in two forms; the social and the economic way in which the intensity of change between different empires are considered (Grant).
The roman art is considered in two ways; the public work and the private work. The public work is more pronounce than the private because as it’s per the public monument will always continue to provide a chronological armature in the field of the roman art with abroad view of the history. The public work of the roman art is more commemorate major historical events, religious rites and imperial policies through public monuments which express the collective ideas and achievements of the roman people. For the work of the private sphere it is upon them to turn forms and images that express the personal belief, taste and self-perceptions of the Romans. This art work helps to know the place and the position of individuals (Kemp).
The private work art poses certain problem in that the scant documentation is available to student of art but the student is outside the purview of the official Rome. Also the meaning of the ...