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Luckier Than Stars Students are scared to death. Most particularly of their own innate selves. Afraid, terrified in fact, to bring out what experiences come out at the end of their pen. Yet however, when they breathe in the ready stillness, mysteries await them of a vivacious nature, astonishing truths that compliment England’s queen in their likeness, delights that are unplanned, especially by the school-system…
They hope that teaching a wide array of literary genre will do the trick, simply willing that students will find for what it is they’re looking. But what a joke! It is not this which tickles the inner pendulum. There is something powerful about language. It battles that fear. Pick a book up that speaks about theory and one effaces that internal environment battle of not being able to use the pen. Here one’s spirit can move forth freely. Whittier’s (n.d., p. 151) The Wife of Manoah To Her Husband portrays a mental breakthrough of the internal critic: “I bowed my face, in awe and fear . . . On the dear child . . . Oh God! I said, THY WILL BE DONE!” Undoubtedly the author attains a conclusion about theory. Because writers of creativity are continually using an attractive mix of an ingenuous dance, a dance between “the rational and intuitive” (Hanlon n.d.) right and left hemispheres of the mind. Whittier’s theory in the poem is of a supreme being’s dominance. Humans have all kinds of theories, all of them spiked with a bit of creativity’s work. There is one for washing, “I’ve never washed my shadow out . . . And stuck it in the washtub . . . ...
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