The Development of Fashion Design in Twenty Century - Research Paper Example

The Development of Fashion Design in Twenty Century Fashion involves a popular practice or style such asfootwear, clothing, make-up accessories, furniture, and body piercing. It is a habitual and distinctive trend in the style that a person wears. It is also the existing behavior style and the new designer creation textile. In some cases, fashion is associated to the costume even though costume is linked to senses like masquerade wear, fancy dresses. The aspects of fashion could be masculine or feminine based with other trends being androgynous. Fashion could be useful in promoting healthy behavior in the society by raising an amount of money that can be used in the care of cancer or local charities. The development of fashion design involves the development of the industry of fashion that is responsible in designing accessories and clothing. This industry was depended on fashion houses and firms that are governed by specific designers. This industry started in the 19th century by one designer who had his label sewn in the created garments (Whitten 15). Starting from trees, and leaves to what people experience now in fashion world, the history of fashion design was influenced by many factors changing over to the twenty century. In attempts to unravel the historical trends in fashion and design, this paper explores the development of Fashion Design in the Twenty Century. How the design started The design started by the dress maker to the Queen of France who could be described to have started the fashion transition from some few dress makers to fine designers with a highly valued profile. This was referred to as the fashion minister as a sarcasm since she established one shop around Paris with a collection that was greatly influenced by the Parisian style. This trend continued up to when the trend was altered by the revolution of the French that made the renowned designer to flee to exile in London. In whatever appears like the modern sense, Charles Frederick from Paris has been reported as the first designer, who had a huge business that employed different anonymous seamstresses, and tailors. One thing to note about this designer is that he had the ability to dictate to the customers whatever they needed to wear. Early Century During the early twentieth century, the origin of the existing fashion was from Paris, and to a certain level London. Many fashion magazines from different countries took their fashion editors in Paris shows of fashion. Other stores equally directed their buyers to the shows of Paris, where they were able to buy cloths to copy. This made these stores to practically steel the line styles and trim them to suit their own needs. Many departments and salon displayed the latest trends of Paris that were adapted to the assumptions of the stores and as per the lifestyles and the targeted customers pocket books. The history of fashion was then a separation between the ready to wear collections and the haute couture modes. These two separate production modes were not competitors and were found in houses in which the seamstresses could get in freely in the ready-made and the made to measure collections. In the early twentieth century the style of fashion in magazines started to consider the photographs thus becoming extremely influential. Many cities around the world were painted with these magazines, which resulted to a deep effect to the taste of the public. Different talented illustrators drew the fashion palates that were attractive in the magazine publications that covered the existing developments in beauty and fashion. 1900 The cloths that were used by the fashionable women in the Belle Epoque were related to those that were worn during the days of Charles Worth. When the 19th century was coming to an end, the fashion industry horizons had broadened as a result of an independent and more stable lifestyle that the well known women had started to adopt. The existing fashion maintained the elaborate, upholstered style used during the 19th century. The fashion changes used different trimmings. This fashion was identified by the conspicuous consumption with extravagant clothes, and ornate. The S-bend silhouette took charge of the fashion up to the year 1908. S-Bend corset represented the outfits that were tightly laced around the waist forcing the hip backward and making the mono bosom to drop. The outfit was forward thrust in an effect of the pouter pigeon establish an appearance similar to that of the S shape. When a decade was coming to an end the fashion shifted into being slim and straight giving out clothes with high waist, and short skirted (Jernigan 32). Maison Redfern was identified as being a first fashion place that offered women some tailored suits that were directly related to those of the male counterparts. These were not only elegant and soberly, but also remarkably practical that they became common to the well dressed people. 1910 In this decade, the fashion silhouette was extremely fluid, lithe, and softer than in that of the earlier years. In the performance of the ballets Russes, one designer translated the vogue into the world fashion. The clients of Poiret became transformed to the harem girls inturbans, flowing pantaloons, and vivid colors. The first outfit that women could wear with no help was introduced by Paul Poiret in the year 1910 (Breward 20). At this time, the Art Deco movement started to emerge and the effect was displayed in the designs of different couturiers. Collections of turbans, felt hats, and tulle clouds replaced the many popular designs of the headgear. This period was typified by the first shows of fashion by Jeanne Paquin, who was among the first country to open some branches in Madrid, London, and Buenos Aires (McNeil 14). The two fashion designers considered to be most influential include Mariano Fortuny, and Jacques Doucet. Jacques Doucet was a French designer who was famous in superimposing the colors that are pasted together with the gossamer dresses. He was a design of deep discrimination and taste, a role that no single designer has out competed him. Mariano, on the other hand, conceived a particular process of pleating and a new technique of dyeing. His long clinging dresses of sheath were called Delphos. The different outfits had single pieces of fine silk, and a unique color that was obtained by a repetition of dyes with shadings that suggest the moonlight or the venetian lagoon. The changes in the dressing in the period of the World War 1 were driven by the necessity instead of fashion. Since many women were forced to work, there was a higher demand for clothes that could suit the different job settings. Different social events were postponed because of much argent engagement and the requirement to attend funeral. This increased the gravity of the duration that was meant for darker colors. A monochrome look came up, which was not familiar to the young women in the circumstances that were comfortable. When the year 1925 set in, the fashion of skirts was common to many women (McNeil 14). Golden age of French Fashion (after world war) This is the duration between the two world wars, mostly considered being the Golden French age fashion and a main alteration from reformation. The princes used cars instead of carriages, and did lose their crown and film actors began to use the couture haute. Mid-20 Century When the Second World War ended, the reputation of Paris as a fashion global centre started to crumble. Some new styles of youth came up in the 1950s, altering the fashion focus. The fashion industry was faced by the challenge of the factory made products. Even as the old world was taking the final bow, the alteration in the fashion industry was a clear manifestation of the overall societal shake-up. The cycles of production was longer than the ones of couture workshops, implying that the stylists preparing the lines to twice a year for a collection of twice yearly needed to try to make many guesses more than a year in advance, whatever the customers wanted. A new authority took over the street which was made up of threats to the couture of dictatorship (Quinn 17). 1940 Different houses of fashion closed in Paris, as a result of the second world war. This included the Maison channel and the Maison Vionnet. Different designers such as the mainbocher relocated to new York permanently. Different from the Parisians, the regime of Vichy did promote the mother and wife model. At this time, Germany took possession of more than half of the production of France such as high fashion and considered the relocation of the French haute couture to Vienna and Berlin, neither had any fashion tradition that was significant (Wahol 15) As a result, of challenging times, hemlines shifted upwards in the day wear and the evening wear. Beginning from 1940, about four meters of cloth was allowed to be used for the coat and a blouse could require not more than a meter. A belt could not be more than three centimeters wide. However, haute couture worked hard in keeping the flags flying. Permed hairstyle was a standard look, which evolved into a bobbed roll in the 1940s below the hairline. A woman could wear a hat and her outfit as a means of adding color and extravagance in the look. These hats were made of the scrap material that could be thrown such as wood shavings and paper. Some outfits were presented by Vera Maxwel, which were made up of plain and coordinates that were simply cut. Innovations were introduced to the work clothes of men. The boots were transformed into a key accessory of fashion by Bonnie Cashin, and in 1944 started the production of imaginative and original sport ware (McNeil 13). 1950 In this era, fashion used the progressive and revolutionary styles of the previous decade. Such fashion was of the past, hence experienced some revival thus gaining popularity in the different designers that obtained profits from a fast media growth. Over the 1950, the women submitted to the Parisian trends. The common trends of the time included the Pierre Balmain, Cristobal belenciaga, and Hubert de Givenchy. The Cristobal Balenciaga Esagri was a fashion perceived in the 1930, but invented in the 1950s. The design fully transformed silhouette, widening the shoulders and doing away with the waist. Tunic dresses were designed in 1955 that later advanced into being chemise dresses that became prominent in 1957 (Jones 12). High waist dresses together with the cut coats were designed in the 1959. Hubert de Givenchy came up with the first couture fashion collection in 1952. He is characterized by the Bettina blouse created from shirting, and named after one of his mode. Pierre Balmain established a saloon in the year 1945. This was among the many collections referred to as Jolie madame, who realized the greatest success starting from 1952. As a fashion designer, Mainbocher designed the civilians and military attires. He redesigned the Marines of women in 1952 by mixing the functionality with feminism. The couture houses of 1950 used the foundation wear interest in launching their lines. In this decade, there was a move towards less formal designs particularly in the fashion of men. The trench coats, Homburg hat, and fedora moved away from the widespread use. Holywood established glamorous designs for the American film stars. These designers concentrated on their specific classicism that was timeless, photogenic, and flattering. These designs used luxurious material like sequins, fur, and chiffon. The clothing of women had long coats, hats, and veils. In other cases, the Knee-length dresses mixed with the necklaces ade from pearl. As the decade ended the off the peg clothing became popular. Late Century Fashion started to mix the international boundaries having rapidity. The popular western styles was adopted in the entire world since the designers from the west had a deep effect on fashion. The synthetic material like spandex and viscose was used widely. 1980. The fashion of 1980 used mullet as a basic hair cut of men. The jumpsuits were the famous clothing of female. The wraparound sunglasses, and skinny neckties were also used. In addition the spandex leggings and head bands came into existence. The two designers of this era include Azzedine Alaia, and Thierry Mugler. Many new comers entered the scene of fashion like Angelo Tarlazzi. There were some Japanese designers like Yohji Yamamoto and Rei Kawakubo provided a look that marked a break from the existing fashion. These designers introduced the flat shoes, reserve modesty, no make-up and secrecy in the design. There were high readymade outfits in this era. Yohji Yamamoto and Rei Kawakubo agreed with the quote “---------But you don’t need to travel to the ends to be a true diva----------” (Jones, 14). 1990 In this decade, there was a slight fear of overdressing. Fashion moved around a new standard of minimalism, and the simplicity of stark style. The fashion considered some themes like disability, rape, religion, death, violence, and modification fo the body.. A dramatic move from a style that was sexy targeted a glomour look. The Italian fashion collection was established in 1921. The designs called prada were a real force in the industry. The famous designers in America were Marc Jacob, Michael Kors, and Calvin Klein. Michael Kor produced simple but well cut clothes whose elegance and sophistication was appealing to the American customers. Mark Jacob was famous for designing the Louis Vuitton in 1990. Calvin Klein marketed the perfumes, fashion and accessories in Asia and Europe. He promoted his designs using the erotic tinted images (Lesley 10) Conclusion The fashion design experience a massive change in the twentieth century. The change was not only on the style and fashion designers, but also on the popular music, dance, and art. Starting from the art aesthetics in 1900 to a style where the expression of an individual dominates the mode of style as observed in 1990, the industry has shown a tremendous growth and development. Fashion changed from a case with no inspiration to the case with massive influences and inspiration. Popular music and dance shifted from the ragtime and tango to hip hop and rap (Jones 17). The art developed from analytic cubism, fauvism, and expressionism to a conceptual art, media art, installation art, and digital art. Work Cited Lesley, Jackson. The development of the twentieth century fashion design. New York: Sage Publishers. 2002. Print. Jones, Jen. Fashion. Oxford: oxford University press. 2007. Print. McNeil, Peter. Fashion: Critical and primary sources. New York: Jack and sons publishers. 2009. Print. Wahol, Andy. Fashion. New York: Chronicles Press. 2004. Print Quinn, Bradley. Techno Fashion. London: Willy and Sons. 2002. Print. Breward, Christopher. Fashion. Oxford: Oxford University press. 2003. Print. Jernigan, Marian and Easterling, Cynthia. Fashion merchandising and marketing. New York. Maclillan. 1990. Print. Whitten, Stacey. Fashion monitor. New York: Jack and Son. 1999. Print. Read More