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Destructiveness of garment structure
Design & Technology
Pages 36 (9036 words)
This dissertation on deconstruction in fashion garments is a vital area of research, because of the increasing popularity and application of the philosopher Jacques Derrida’s thoughts on deconstruction in all spheres of life. …
Gill (1998) argues that clothes are not liberated from funtionality because of deconstruction as an external causal force. On the other hand, the elimination of functionality from clothing is achieved through a complex interaction between bodies, clothing and their different settings of use (Gill, 1998).
Salingaros and Alexander (2004) state that deconstruction is a new concept that denotes the breaking up of coherent forms; it takes apart traditional literature, art and architecture. In buidling construction, the concept has become increasingly influential among architects, scholars, educators, decision makers, policy makers, and developers of prestigious construction projects. Deconstruction in architecture is more than mere visual fashion, and contributes extensively to form, function and aesthetics (Salingaros & Alexander, 2004). It is characterized by broken lines and lopsided asymmetrical shapes portraying the destruction of conventional principles. Other possible elements of architectural deconstruction include a building construction of unsuitable scale for human use, either two small or excessively big, disconnected and unrelated components and surfaces, along with highly polished metal work and sparkling glass, state Saligaros & Alexander (2004).
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