Overall, the story revolves around Nel and Sula and how their friendship transforms over years. The main arguments presented include those regarding friendship, faithfulness, disloyalty, and forgiveness. Over time, the forms of friendship are shown to change. Initially, the book presents Nel and Sula to be very good friends. Nel is brought up by her mother so that she is well mannered and an obedient daughter. Nel does not like the way her mother treats her. It is mentioned in the book that Nel likes Sula’s house better as her mother is not scolding or screaming at her (Morrison 29). On the other hand, Sula does not like her mother as she sleeps with other men, and doubts her mother even likes her. One day Sula finds out her mother does not like her either. She feels sad and channels her grievance to Nel whom she feels really close to. In an attempt to be someone different than her mother – who sleeps around with many different married men – Sula eventually becomes more like her mother later on. Sula did not like her mother’s attitude and talks to Nel about it. After Nel gets married to Jude, Sula leaves the Bottom and returns after years. Initially, it seems as if Sula is very happy to meet her again and they are good friends until Nel finds Sula and her husband cheating on her. Nel who already has three children from Jude is extremely sad at seeing her very good friend with her husband. Jude decides to leave Nel after being caught with Sula (Morrison 105). Nel feels devastated and feels like crying, but the way she had been brought up does not allow her to show her emotions openly. The way Nel and Sula’s friendship slides as a result of the sudden change in Sula’s personality after years seems hurtful and illustrates the impermanence of friendship. Another argument made is that regarding betrayal and disloyalty not only in the conventional sense but also inadvertently happening and resulting in the characters getting hurt. Betrayal is obvious at various places. After Sula hears her mother saying that she does not like her, she feels said and betrayed. Her communication with Nel is good and she is able to share her thoughts with Nel. Nel and Sula had always been really good friends and after Sula returns 20 years later to the Bottom, Nel seems to be betrayed by Sula for being selfish and taking her husband away from her. Later, when Sula dies, Nel feels guilty of not having been a good friend and not having understood Sula. The story ends with a grieving Nel who finally forgives Sula. In another part of the book, Nel and Sula experience the death of a little boy named Chicken Little. Both Nel and Sula were swinging Chicken Little by the river when his hand slipped and he went underwater (Morrison 170). In a desperate need for help, Sula runs to Shadrack, but all he has to say is “always.” She gets afraid and both girls decide not to tell anyone about what happened. Sula feels guilty, but Nel reassures her that it was not her fault but was merely an accident. However, Sula seems to have taken the blame, and this causes her to change for good. Years after Sula’s death, Nel goes to visit her grandmother who says that she saw Nel letting Chicken Little drown. Sula’s grandmother blames both of them for his death. Later Nel does realize that it was really her fault as she enjoyed watching him drown rather than
Sula by Toni Morrison The book Sula written by Toni Morrison is a story about the deep friendship between Nel and Sula from the Bottom. The book starts with the introduction of the character named Shadrack who returned from World War I…
Morrison is a master at developing these symbols Throughout the novel, the musical form of jazz itself is an important symbol. It stands in for the improvisational quality of African American experience during this period. Life, Morrison shows, is chaotic and does not always make immediate sense.
The main characters of Sula and Nel are featured in their bounding and search for the sense of life. However, it is vital to scope out the episodes when the symbol of water takes place in order to justify the author’s position in her discourse on the most striking themes of the American society.
As you read along, an understanding about the book and its relevance to the real world, aside from the fact that it’s based on the true story of an African-American slave, Margaret Garner, will be achieved. The Pulitzer Prize-winner Beloved is written in bits and pieces and left for the reader to put together.
According to observers, this novel has somewhat schematic characterizations, occasionally invasive, essayistic narrative voice; as well as puzzling conclusion, thereby leaving the central love story unsettled (Morrison 12). The story hinges considerably on the customary family Christmas dinner that Margaret is highly looking forward to; however, no one arrives at the dinner, not even Michael, who is the Streets only child, or the other guests.
In that era of slavery, slave owners could pursue slaves across state borders, and when a posse came to retrieve Margaret and her children, she decided it was better to kill her daughter than let her go into suffering. In the novel, Sethe succeeds in killing her daughter as Margaret did, and attempts to execute her three other children when their posse arrives to take them back to Sweet Home, where she had fled.
In Sula, Morrison locates her characters in an isolated black neighbourhood; it is called 'the Bottom' and situated in the middle of the United States in the imaginary town of Medallion, Ohio, which is located on the axis between the history of slavery and that of abolition in the United States, or freedom in Canada.
Toni Morrison's Sula is one of her masterpieces and a work that turned her into one of the most powerful African-American writers of our times. What strikes the readers about Toni Morrison's protagonist in Sula is her non-conformist, new age consciousness that turns her into an evil figure and an unsuitable heroine.
Morrison shows through her writings that the natural world is connected with our lives and our communities in some way or the other. This suggests that some people find others so worthless that they can uproot an entire community and their houses, infrastructure, and living just to create a means of their recreation.
hter with a traditional theme, which, in Sula, is the legend of wholehearted, unquestioning maternal love, and how this leads to the detachment of the daughter from her maternal family. For Sula, detachment arises not from being disconnected from the maternal family or being
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