Insert name Tutor Course Date Relationship between Mandras and Pelagia Louis de Bernieres’ “Captain Corelli’s Mandolin” is complex novel based on an episodic structure that takes readers from a clam of life on Cephalonia island to the vigorously packed life in Mussolini…
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Throughout the novel, the use of variegated styles oscillating between a flow of awareness, social comedy, dispatches, and detailed narrations some of which involve unattractive, but factual historical experiences is uniquely superior. Additionally, the core themes surrounding military campaigns not only display a sense of richness; they take the readers back to the World War through a near-first account of the direct and indirect impacts of the mid-twentieth century conflict. The film adaptation from the book also visualizes the developments which transpired as captured in the manuscript; however, it is a bit shallow and the story is told from the director’s point of view. Moreover, with the fast transition of the various scenes in the film, it is apparent that readers will have a deeper insight into the developments than the film viewers. The original story begins with an account of the developments that transpired at the initial stages of World War II. Dr Iannis is depicted as having a comfortable stay with his daughter Pelagia in Cephalonia, an island off the Greek coast. When he is off-duty, the medic spends his precious time penning interesting political stories about the island. Pelagia runs the domestic chores, plays with her friend Lemoni, and dates Mandras. Mandras is an intellectually inferior but handsome fisherman. This sense of tranquillity will not stand when Greece is engulfed in the military activities. The impending war significantly changes the relationship between Mandras and Pelagia. Mandras makes a marriage proposal to her, and in response she looks “… at him a moment, and a silence flowered between them, the kind of silence that obliged her to answer his proposal” in affirmative (Bernieres 80). Immediately after their engagement, Mandras is deployed in the snow-capped training military grounds. His return from the gory Albanian military engagement affects his relationship with Pelagia. After the outgunning of Greece, Mandras becomes a pale shadow of his former self, and though Pelagia is willing to rehabilitate him, her morale dies away. In these scenes, the film and the book are both interesting literary pieces that help to express some of the deeper thoughts in the novel. But, whereas the relationship between Mandras and Pelagia is more explicitly told in the novel, the film transforms the readers’ illusion into some kind of brief reality. In both literary pieces, the story’s primary pleasure around the couple lies in appreciation, the attraction of naturalism which is defiled by modernism. As a result, the more vivid depiction of Pelagia in the film technically compliments the manuscript in cultivating a sense of reality in her love for Mandras despite his change to the worse. Mandras’ relationship with Pelagia is depicted in the novel as having been gravely affected by substance use and the chaotic situation on the battlefields and the unforgiving weather. Watching this film creates the picture of an ordeal than cannot be noticed in the novel. The film fades any form of suspicions that one may develop while reading the book, making the audience approve of the traces of substance abuse by Mandras. By watching the film, it is easier to connect the negative response and messages that the fisherman directs to his fiancee after his excursion. Conversely, the novel is satirical; its reading enables one to get a feeling of a benign humour in ...
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