The Englishman’s Boy is a historical novel by Guy Vanderhaeghe, which depicts the 1873 Cypress Hills Massacre whereby a band of American wolfers assaulted a group of Assiniboine. The book deals with philosophical and moral issues that arise from the manner in which these…
This paper will focus on the power commanded by Rachel Gold, the main female character and on how other women in the novel are oppressed, which will be substantiated with reference to the histories of women’s roles in early Hollywood.
The story is narrated by Harry Vincent whose dream woman is Rachel Gold. Rachel is a Jewish vampy screen writer who helps Harry Vincent get a job as a writer of film plots with Best Chance Pictures after he arrives in Hollywood from Saskatchewan. Rachel is depicted as a powerful lady of very strong character as she maneuvers her life through a male dominated environment. She s able to create a place for herself and is recognized for her ability to write screenplays in surroundings where people hated women. She is portrayed as being extremely beautiful and catches the eyes of several men in Hollywood. But she was outnumbered in terms of her sex as well as religion. Rachel managed to gain immense recognition and clout in Hollywood because of her pulpy screen plays, which made her a force to reckon with whereby no one could take her lightly. She is depicted as being very considerate towards Harry and his un-well mother.
Because of Rachel’s strong influence over film makers, she develops her own style of portraying the presence of anti-Semitic feelings in Hollywood as more and more Jews start entering the film making business in terms of starting production houses and directing films. It is perhaps in this context that Rachel enjoyed saying that “The true test of any scenario is to read it to a cameraman. Cameramen are invariably Irish and invariably drunk. If they can grasp the plot, the moral, the theme of your simple tale through an alchoholic haze, you can be assured you have struck the proper intellectual level” (36). She had the veracity to challenge film producers with her screen writing and often got away even after declaring that men can be ...
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The Englishman’s Boy is a historical novel by Guy Vanderhaeghe, which depicts the 1873 Cypress Hills Massacre whereby a band of American wolfers assaulted a group of Assiniboine. The book deals with philosophical and moral issues that arise from the manner in which these historical events were recorded almost fifty years later by those who benefited in the massacre.
As such, this brief essay will attempt to chronicle but a few of the many instances and unique ways in which the Jim Crow laws of his childhood hampered his life and caused unnecessary friction and hardship on a family that was already struggling to make ends meet.
National identity is important but we should not forget that we all are humans and the discrimination should not exist in our world. There are certain rules for every nation, but also there are common rules, which should be followed by all the people not depending on their nation and these rules have not changed over time.
The novel largely revolves around history, and the incidences, which came with it. As one reads the well-crafted story line, such thematic concerns such as truth, representation, fiction are what the characters and the novelist himself in this novel highlight.
His primary focus is the guy code, which is a list of unwritten rules dictating the manly behavior one should display as well as disparaging. “sissy” or otherwise feminine characteristics that should be avoided by real men. He cites four basic rules complied in the 70s by a social psychologist Robert Branon; no sissy stuff, this means that a man is expected to avoid soft effeminate or gay characteristic that are associated or generally anything that involves showing any emotional softness.
As the author puts it, the movie takes people back to the under land of London that does not involve the English criminals such as Dick Tracy. Admittedly, the plot of the movie becomes very complicated to an extent that it becomes perverse and the titles used in the movie and in the narration mainly to identify the characters and to develop the plot.
Yet Remington had seen the West and, once his inheritance was near gone, he went back there in order to set about making something f the West as his subject during the late 1880s. Even so, as the Samuels write, "Remington was actually the last f the great Western artists to go West" (94).
However, looking back into the history of Western social discourse we find several such instances that bear evidences of moderate to extreme acts of terrorism. The Gunpowder Treason (5th November, 1605) is one of the most conspicuous evidences of the fact that
its financial difficulties have started long before the statement and with the overshadowing popularity, the company has recently announced that it is facing a bailout by Walt Disney and it will take approximately twelve years to pay off its debt. In addition, a wealthy Saudi
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