Both Charlotte Perkins Gilman’ story “the Yellow Wallpaper” and Henrik Ibsen’s play “A Doll’s House” deal with the Psychological Challenges of women in a male dominated society.These authors have shown how patriarchy suffocates the healthy psychological growth of women…
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The story, “The Yellow Wallpaper” deals with the horrible psychological transition of a woman in order to show how the society imposed restrictions can mutilate the psychological growth of women, whereas Ibsen’s play shows a woman’s struggle primarily to cope with the patriarchy’s expectation from women and her choice to tread a more perilous path of life, that is free of the patriarchal protection for women, in order to search for her own self. But these two authors have commonly vindicated that both parental and nuptial restrictions are detrimental to the harmonious psychological growth of women. That is, women’s struggle for their own selves must challenge the so-called male-imposed norms, rules and regulations in the name of women’s betterment. Yet the two texts have two different ends. In the conclusions while Gilman’s heroine is found to become psychologically deranged, Ibsen’s heroine Nora chooses to seek for her identity defying the patriarchal protect in her husband’s house. II - Society’s Attitude towards Women’s Psychological illness in the 19th Century and its Influence on Gilman’s Writing Both “the Yellow Wallpaper” and “A Doll’s House” deal with the psychological challenges of women in the 19th century. ...
Gilman shows that what Jane’s husband thought for her wellbeing ironically pushed towards the verge of madness and on the contrary, allowing Jane to walk on her own way could have saved her from her tragic end. Like Ibsen she also shows that the position of women in a male dominated society is rather harmful for them, though ironically their male counterpart means such restriction for the betterment of the female. a. Early views of Mental Illness Gilman’s story speaks more of the patriarchy’s attitudes towards women’s mental illness, in the 19th century, which was considered to be the result of extensive brainwork. Especially in women’s case, brainstorming was thought to be more detrimental to women’s psychology. Consequently women are commonly kept away from brainwork such as reading, writing, mass education, and from any other intellectual works. Indeed, the main line of the story “The Yellow Wallpaper” has greatly been shaped by a major event of Gilman’s life, as Thrailkill says, “The Yellow Wallpaper draws heavily on a particularly painful episode in Gilman’s own life” (67). In 1886 after the birth of her daughter, Gilman becomes a victim of severe depression. In a book, “The Living of Charlotte Perkins Gilman” Gilman admits that her “unbearable inner misery” is worsened by her husband’s presence. Her husband, Weir Mitchell, nervous specialist prescribed her “rest cure” or “forced inactivity” as her treatment that rather worsened her condition further (Gilman 79-82). All her condition was conveyed into the story “The Yellow Wallpaper”. b. Doctors and early treatment The fact, whether the 19th century Doctor’s ...
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“The Yellow Wallpaper”: Subjugation of Women.
Charlotte Perkins Gilman’s short story, “The Yellow Wallpaper”, can be viewed through several prisms: as a Gothic tale, as a tragic narrative, as a horror story, as a psychological thriller. However, whatever be the view adopted, there can be little doubt that the story is, first and foremost, “one that offers the detailed and chilling account of a woman's entrapment, defeat, and movement toward madness--one caused by patriarchy,” (Hume,ebscohost.com).
A Dolls House Introduction The two primary works chosen for discussion are the play ‘A Dolls House’ by Henrik Ibsen and a poem by Phillip Larkin titled ‘Home is so sad.’ Though both these works have their own unique style of presentation, yet there are some common factors shared by them.
The story majors on a certain woman’s mental deterioration. Psychologists have argued that the birth of a child can trigger a mixture of influential emotions. It could also result to depression. Some mothers have been known to experience a severe and long lasting type of depression known as postpartum depression (Booth and Mays 216).
A Doll’s House: Emblematic of the Struggle for Feminist Equality and the Hopeless Plight of Women During the Victorian Period Many characters of plays experience a growth and development as a function of the unique set of experiences and subsequent realizations theses characters develop as a result.
Student’s Name: Institution of Learning: Instructor’s Name: Course Name: The Yellow Wallpaper by Charlotte Gilman The short story, The Yellow Wallpaper, written by Charlotte Gilman, can be included in the feminist literature genre owing to many characteristics of this story.
Written and staged in 1879-80, the play stirred the romantic literary flow and instantly raised controversy. The realistic approach adapted by Ibsen was appreciated by few, but it acted as a pioneer of realism and rejected the idealism of Victorian era. It gained instantaneous popularity due to its meta-theatrical facets.
The women in the older generation were faced by double standards where the society expectations on them were so high with very harsh economic challenges (Ibsen, Henrik, and William 2002 pg 48-50). Therefore, the role played by a woman as compared to the ones played by men was considered inferior given that history has it that men had a upper hand over almost all the rulings in the society.
The character of Nora evinces remarkable development before the very eyes of the readers. During the brief period of three days, along which the entire action of the play tends to condense, Nora almost depicts a transformation of character. At the very end of the play Nora as a character emerges to being very different from what she happens to be at the very start of the play.
It brings to light cultural practices that were held in high esteem during this period in history. On the other hand, Trifles is a one-act play by Susan Glaspell whose first performance by the Provincetown Players at the Wharf Theatre took place on August 8, 1916.
s, first and foremost, “one that offers the detailed and chilling account of a womans entrapment, defeat, and movement toward madness--one caused by patriarchy,” (Hume,ebscohost.com). In the simplest terms of reference, it is the story of a woman’s subjugation.
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