It is highly political. There are several images and constructs in the film that must be analyzed critically. Structuralism shall be used as a guide in exploring and criticizing the underpinnings of the film. At the same time, there shall…
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However, the personal fight of Wallace, to be expounded later on, is intertwined with the social conditions presented.
At the start of the film, King Edward I, a.k.a. Longshanks, of England has invaded the Scotland (Braveheart). Alongside this condition is the commission of treachery on the part of Longshanks who persecuted several people, including the parents of Wallace (Braveheart). However, Wallace survives and is taken to foreign land where he is educated through the aid of his uncle.
However, Wallace will have a love affair with his childhood, who will be the cause of the strife in Scotland that will eventually led to a revolution. This will then divide the land into factions, which will engage in a fight to free Scotland from the grasps of the English conquerors.
However, Wallace will die later on and someone will follow his footsteps, rebelling again to gain freedom from the rule of Englishmen. Robert, the Bruce, shall carry this on as the Scottish King. This is then a continuation of legacy. Aside from such continuation, there is a certain pedigree of dissent present from the instigators of the rebellion. It is unavoidable that bloodshed will happen but with a purpose.
In this case, the most common thing that can be seen is opposing forces: binaries of some sort. The Englishmen are the ones considered as oppressors since they are the ones who have the power to conquer lands and dominate people. On the other hand, the Scottish people are the ones who appear as the oppressed in the film due to the subjugation made by the Englishmen. The abuses and killings made signify the injustice and abuses perpetuated as it appeared on the film.
However, it can be considered that the representations of the film are not accurate and purely referential to history, which is not totally clear about the message it wants (De Man 184). Thus, the film ...
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