The process of converting a textual piece of art into some kind of motion picture requires a great deal of creativity and tedious conceptualization. Novels and films use different mediums in conveying the message to the readers for the novel, and to the viewers for the film adaptation. Nevertheless, and sometimes, the whole idea of film adaptation compromises several things. Movies that are produced from books have more downside in so far as pure art is concerned.
First, novels are typically lengthy and requires considerable amount of time to finish reading the whole text. Condensing it into a film would mean an exclusion of some possibly crucial parts of the story, which, as a result, could twist its overall thought. Normally, films last an hour and a
half, or about 90 minutes for most Hollywood blockbuster films; hence, in an effort to fit the complete theme and the idea of the novel, scenes that do not really appeal so much to the audience will be omitted. Second, the inspiration of every film adaptation is definitely not merely for art’s sake but ultimately for financial success’ sake. This is the sad truth about film adaptations in that before producers get started to invest in the adaptation rights of a novel, it is a given that the novel is viewed as something with a “bankable” story. Of course, producers would always look at the economic side of things. Nevertheless, talking about pure art and art alone, film adaptation is not the best option there is for a real artist. Both cannot be consolidated at any point as both have very different afters: films would always go for profit; novels would always go for artistry. Because of the availability of both artworks – novels and film adaptations – people are also able to compare the quality and content of each piece of artwork. Oftentimes, because film adaptations use lavish graphic arts and visual effects, plus the inevitable tweak ...
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