This research is being carried out to present Shakespeare’s use of subplots in his acclaimed play King Lear which is to build a secondary basis that supports the main plot of King Lear and add a sense of resonance, contrast, and complication to the general plot development. …
The author has rightly presented that King Lear main plot revolves around Lear’s bad decision making that sees him disowning his own daughter Cordelia who is faithful to him and awarding his two treacherous daughters Goneril and Regan with a portion of his immense wealth. The subplot kicks in when Earl Gloucester and his two controversial sons get introduced into the story of the play, the illegitimate Edmund and Edgar the loyal one. A clear relationship is seen between the main plot and the subplot by two characters who assume the leadership and fatherly role, King Lear and Earl of Gloucester, they are both deceived by their children. Characters that constitute the subplot in Earl of Gloucester, Edmund and Edgar touch on the reflection on the major acts such as betrayal and madness hence highlight major themes. In William Shakespeare’s King Lear subplot development elaborated by Earl Gloucester, Edmund and Edgar's characters has been influential in giving a strong sense of resonance, contradiction and complication to the major themes of father-child relationship, reconciliation and good versus evil hence strengthening the fact that subplot as a literature tool is an important asset in plays or stories plot development and helps to boldly portray the important message intended. Resonance as a subplot aspect in ‘King Lear’ resonates or binds the subplot and main plot and helps in bringing out the major theme the play was intended to portray. Father-child relationship is seen to be twisted in both positive and negative way. ...
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Shakespeare has presented the Fool in King Lear as a sage-fool who sees the truth. The grudging hospitality that Lear received from his ‘trusted daughter,’ Goneril, makes him outrageous; and so he decides to move to his other daughter, Regan. Here Lear can be seen almost at his disposition.
This research is the best example of comparison of two plays. There are many similarities between King Lear and Gloucester in King Lear to Dr. Faustus, in Doctor Faustus. The similarities regard how all the men are seduced. The difference is in the nature of their tragic flaw. All the men are seduced by evil, and all the men have good at their fingertips, but are unable to capitalize on the good.
His works have gained much renown from the time they were first written and to date, they continue to gain much praise from literary communities. His themes and messages range from love, loss, heartache, death, war, strife, and all other angst-ridden emotions in between.
Shakespeare has capitalized at reality’s presence in various characteristics of life. It can be estimated from the fact that kings in the stories of Shakespeare were supposed to serve as guides, and display intelligence
loucester, a character in King Lear, also has an evil child and a good child, and, like Lear, is seduced by the evil child and ignores the good child. Doctor Faustus deals with supernatural evil, that of the demon Mephistophilis and Lucifer himself. The similarities regard how
His themes and messages range from love, loss, heartache, death, war, strife, and all other angst-ridden emotions in between. Some of the messages expressed from his works have been considered subtle, and some have been clearly expressed. Themes seen in some of his works
According to the research findings, it can, therefore, be said that both Kin Solomon and Lear agree that they have failed to undertake the necessary steps in the protection of the subordinates. The play borrows heavily the Christian perspective about life and addresses the problem of injustice and other related social issues.
out, due to the pivotal role that he essays, and the various interpretations that his dialogs evoke, including those with the King and other characters. The tragic events in the drama are contrasted and highlighted with the conspicuous presence of the fool.
The fool is one of