Lewis Article the City of Refuge - Essay Example

Harlem Renaissance (1918 – 1937) is known as “a blossoming of African American culture and the most influential movement in African American literary history”, which “sought to reconceptualize “the Negro” apart from the white stereotypes” and “break free of moral values. that might. reinforce racist beliefs” where “Harlem district of New York City. served as the symbolic capital of this cultural awakening” (Hutchinson, 2014). In his books “When Harlem was in Vogue” and “The portable Harlem Renaissance reader” David Levering Lewis makes a sketch of events, personalities, dates, names, etc.

which contributed to the development of the New Negro movement and culture. The book helps us better understand the reasons and realms of the political and social struggle of Afro American people as well as get acquainted with the major cultural achievements of the time. “The City of Refuge” SummaryLewiss article “The City of Refuge” may be nominally divided into two sections: In the first part, the author gives an overview of lifestyle and conditions in Harlem of the late 1910s, while another part is dedicated to Marcus Garvey – his biography, views and activity.

Action is majorly focused between 130th to 145th Streets, where the number of Afro American inhabitants was the highest. “Everybody in Harlem was rich”, - David Lewis (1997) wrote. Hotels, cabarets, vaudeville houses, casinos were everywhere in Harlem. They brought together talented and famous composers, musicians, singers, dancers, poets and others. It was the time when “Negro” music such as jazz and dances became popular all over America. Names of Jim Europe, Irene and Vernon Castle, Nick la Rocca were well-known and celebrated far beyond Harlem.

At the same time, Harlem was a “forum for serious racial palaver” (Lewis, 1997), where the views of Marcus Garvey were heard for the first time. Bearing pan-African ideas, he stayed for the recognition of African nationality, proclaimed the necessity of creating the country of New Africa that would be a motherland for Negros all over the world, defended ethnic identity and equal rights with “whites” of “black” people. “Stars” SummaryAnother Lewis's article “Stars” outlines the lives and works of four outstanding poets of the Harlem Renaissance: Claude McKay, Jean Toomer, Langston Hughes, Countee Cullen.

In their poems and ballads, authors strove to “promote racial advancement through artistic creativity” (Lewis, 1997) and showed that “black” poetry can be not least worthy than non-blacks. These poets laid foundations of modern Afro American literature.“The New Negro” SummaryIn the article “The New Negro” Alain Locke refers to Harlem as a place where two significant Negro “movements” were concentrated: “One is the consciousness of acting as the advance-guard of the African peoples in their contact with Twentieth Century civilization; the other, the sense of a mission of rehabilitating the race in world esteem from that loss of prestige.” (Lewis, 1994). Locke highlighted the crucial meaning of “artistic endowments and cultural contributions” (Lewis, 1994) for the promotion and acknowledgement of Afro Americans in the key of equality.