The Good Person of Szechwan
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...dialectics of good and evil, organic hostility of the whole society’s lifestyle to kind (“productive” - as them Brecht calls) principles of human nature was expressed with a great poetic force in The Good Person of Szechwan (1938-1940). Brecht found a wonderful artistic form, conventionally fabulous and, at the same time, sensuous... ? The Good Person of Szechwan The motives of social injustice are not new for Brecht’s creative works. In many of his plays the logic of scenic narration leads the audience to a revolutionary conclusion of deep corruption and inhumanity of such a social system, in which only dirty tricks ensure success and prosperity, whilst goodness leads to death. This idea of ??the...