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art history response paper
Pages 2 (502 words)
Portraits are unarguably some of the forms of preserving history that have helped historians today understand the social constructs that existed in the societies of the past. Through the use of portraits painted centuries ago, it is possible to draw a conclusion in regard to how…
Typically, paintings that were done for women signified their status. Many changes occurred in regard to how women would pose for photos as development in painting occurred. Usually, paintings’ functions were varied. During the 16th century, they were used as gifts and to preserve thememory of friends. On looking at poems, it may also help the modern view understand what portraits signified in the society (Tinagli86). The portrait would help poets related how much beauty meant to the community by saying that no painter would capture beautyperfectly as it is veiled by the body as beauty is the soul. Some development that occurred was that that allowed the beholder to exchange glances with the portrait. Leonardo was one of the first artists to paint such an image when he painted Portrait Ginevra de’ Benci (Tinagli86).
On looking at the precision and detail Leonardo and other artists afforded his portraits, it is evident that what they were drawing was not merely portraits but ‘reality’ as it were. The artist’s attention to detail shows the modern person how life was during the time (Tinagli88). At the point, the portraits were supposed to be three-quarter so that the sitter could lock their eyes with the painter in a way that signified dialogue. It was believed that the eyes were instrument through which love was communicated yet a few of the most celebrated portraits did not lock eyes with the viewer. Portrait Ginevra de’ Benci did not lock eyes with the beholder in spite of her being a renowned poet and hailed for her work which preached love.
In his documentation, Leonardo wrote that he understood the conventions of beauty as depicted in poetry and believed that a painter yields even more power over men’s mind as in his work, he could draw a portrait that a man can fall in love to. The painting may not even depict a living person. In his argument, ...
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