Blue Steel Movie Review - Essay Example

Blue Steel Movie Review Blue steel thriller directed by Kathryn Bigelow starts brilliantly by introducing Megan Turner and inspection of the tools for her business. This movie conveys Megan’s inner look and drawing viewer’s attention on her look. She is smart and proud of her look that contributed to her being a police although shy. In like the whole movie, Megan and Eugene keep on stalking each other with an envy of guns, which is the crucial element in their collaboration. Some performances are supportive as Philip Bosco’s, weary of Megan and hostility of Clancy Brown’s fellow officer help in making the film human. As Turner fights for her badge and cases helped by Detective Nick, she is trying to imagine her relationship with a murder. She decides to spend the night with Mann when she watches her best friend killed. Turner hunts for the killer and after a long confrontation and wounds that she manages to kill Hunt. There are many themes and lessons throughout this file as discussed below. Bullet with her the name of Megan is one most revealed theme in the movie. Eugene recreates the supermarket scene, terms the gun as a lucky object, and puts it in use. Hunt engraves Turner’s name on the bullets, which Hunt uses to kill his victims. If Hunt had no reason for this act then his acts are psycho behaviors yet the blue steel glory sequence connected Megan’s body with her gun’s blue steel. Megan is associated with the killings when Eugene assigns her name on the bullets used in the killings (Tasker, 1998). The film’s exchange of sexuality as illustrated Mann describes a man cut off his penis in a cab by a prostitute and not her wife. This story reveals the construction of women’s role in men’s affairs when the man’s penis was misplaced. In the story where the hooker has a needle ever ready and skills of sewing reveals the womanly trope of intertwining and male wish for tamed whore. Passing back and onwards of someone’s penis shows the suitable and unsuitable use of phallic power. Exchange of guns at the start of the film connected to the back and forth at the end of the film. Both passing of bullets and penis represents the issue of inaccessible economies operating between both male and female and the care both genders ought to have for their phalluses. Hunt pisses off when he sees a woman shooting a man in the supermarket. Hunt finds in Turner a beautiful person who is able to serve a public violence and this is which is a form of over-recognition. This strange recognition shows the reliance of yuppie devil for his individuality. Such psychotic characters as constructed towards gender of feminine heroes are evident in the film. As the film starts, Megan kills a man on her first day in job and a customer who is already troubled before the shooting started pockets the man’s gun. Curtis’ social life starts when Silver plans for a date but she does not suspect why he is up to her. Another scene is created when Curtis and her father leaves home when Silver comes whose characters are intelligent and sets things up such that Curtis is seen as the killer herself (Freud, 1995). Blue steel is a thriller that has a shock and afterwards a surprise. One feels dumb after moving through the scenes of the film. For instance, Megan meets unexpected horrors by Strode and sexually abused in a brutal rape and made a device of sexual bias and rejected by the whole society. Megan is a new cop and helps prevent theft in a store by shooting assailant who were armed. After the killings, since a customer pocketed the gun of the assailant killed and therefore Megan is in trouble because the department terms him as unarmed person. Her department disowns her for killing innocent man and Hunt starts killing people in the streets with the bullets engraved with Megan’s name. Movies like this that indulge the psychology, provide more reasons on murderer’s behavior of anti-sociality. In addition, before Megan and Eugene had sex, Eugene asks her to take away the gun and later feels the gun at its holster. This shows the power of phallus in the society. Towards the end of the movie, Megan decides to use the gun and fight a man on violently with firearms and a long shoot-out is experienced. The horror of blood and wounds is inhuman and wrong and she finally becomes murderous, Eugene becomes a victory morally. However, this does not mean victory for Megan but a battle between sexes. Even is a woman becomes violent and brutal as anyone else, then that is termed as equality and the right to kill according to the movie and the time it was acted (Hills, 1999). According to the kind of actor Megan is, she is supposed to be termed as a hero, but instead she becomes a looser. This is evident when Hunt picks the assailants gun at the supermarket scene and causes her suspension. It is here when Hunt starts killing people aimlessly with the gun and bullets, which bare Megan’s name. These actions make Megan a victim instead of her being victorious. Her murderous act when with Eugene and a gun shoot scene begins then she pulls out her gun ready to shoot and fight the heavily armed men revealed her as a murderer to Eugene. This makes Eugene a victor at the end. On top of all, Megan disownment by the department and witnesses her lover attempt to murder, she was raped and held under guard, and she finds herself in a situation murder to halt Hunter’s behavior. Megan is an example of a working girl in cinema thought to be provoking in the valuation of social satisfaction. The character she plays comfortably like a man. Her relationship with Eugene reveals his character as a murder obsessed with Megan. In such cases, woman is always the victim and Megan’s character portrays victimization of women. Although in Blue Steel, she becomes further a hero and victim. Megan plays both her roles as both male and female occupying the two genders roles. Although she is not accepted by the police, she is not either safe outside the police (Hills, 1999). In addition, the story of a man with a prostitute in a cab and all the whole processes which involves a woman who has a needle ready with thread and the skills of sewing shows the importance of women in the society. The story told in a passive manner to other people and not the person concerned. This excludes a woman and hence the main story concerns her, Megan. The setting of the venue where Megan and Eugene meet and later shootings sprout and the supermarket where Megan shoots an assailant and the gun of assailant pocketed without her notice. These settings display the characters of Megan acting as both male and female. Exploration of female sexuality is evident in the film when several actors including Megan abused sexually. Megan’s rape shows the position of women in the society during that time. Megan is sexually attracted to Hunt and Mann and her character seen when she steals oversized clothes to meet Eugene. Her hairstyle and toughness are important for her role as a female police during which was termed as a male occupation. After Megan is, introduced to the Detective, Mann who tries to perform a scenario, which differentiate reality, and training for Megan because she is not quick and keen as required. Instead, she was right but the Detective and their boss decided to tease her in that way. She afterwards realizes their intention and points it directly to the detective that she will be seeing him (Tasker, 1998). This situation sets Megan’s good appearance and the capability for exacerbation by erotic wit. Feminine character of Mann seen as he pulls a comb out of his pocket and his long hair compared to Megan’s short and manly cut. Their relationship based on subject idea and the feelings Hunt has for Megan. Instead, Mann’s intention is to use Megan as bait to kill the serial killer. Until she discovered the killer is when her department abandoned her. While Megan pursues Hunt, Mann is watching and afterwards he tells her the same reply she got from Eugene that, he just wanted to watch her handle the killer. This is the kind of complexity when it comes to the theme visually. References Hills, E. (1999). "From 'figurative males' to action heroines: further thoughts on active women in the cinema" pg: 38-51. Tasker, Y. (1998). 'Chapter 4 - Investigating Women: Work Criminality, Sexuality' in "Working girls: gender and sexuality in Popular cinema" pg: 88-113. Freud, S. (1995). "Lacan for beginners". Read More