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Re-victimisation of Holocaust Survivors in the Contemporary Filmic Landscape
Journalism & Communication
Pages 8 (2008 words)
Re-victimisation of Holocaust Survivors in the Contemporary Filmic Landscape Introduction Filmmakers’ exploitation of the Holocaust as an underlying moral perspective assumes varied forms. In a number of cases, filmmakers’ use of the Holocaust has turned into an issue of fierce debate, illustrating the power of the film as a cultural instrument and the degree to which the Holocaust is depicted on screen has itself turned into a subject of public outcry.
.. ever cut me as sharply, deeply, instantaneously” (Shandler 1999, 212). Susan Sontag reveals in this statement that Holocaust victims are chronically re-victimised by the manner they are represented in films. This paper is an attempt to discuss Sontag’s argument in relation to the documentary film Night and Fog. Night and Fog by Alain Resnais Night and Fog uses a French storyteller alongside contemporary perspectives and archival film recordings of the concentration camps. The documentary film also hosts several still photographs (Knobler 2008). A major issue explored in the film is the opposition between the desolated, wretched camps at present and the different atrocities they witnessed in the 1940s. A secondary issue is the manner in which the atrocious Nazis were not inherently distinct from other human beings in most cases. The documentary film is sketchy, and not strictly sequential. It opens up with vivid footages of present-day camp sites, a harmless environment populated with rubbles, abandoned buildings, and wild flowers. An unforgettable episode at the onset displays how the entry to the concentration camp looked like to a World captive (Aufderheide 2007). ...
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