You must have Credits on your Balance to download this sample
Journalism & Communication
Pages 4 (1004 words)
The Thin Blue Line: the thin difference between truth and lies and its impact on justice Name Instructor Class 7 July 2012 On November 28, 1876, Dallas Police Officer Robert W. Wood approached a car to inform the driver that his/her lights were out. As he came near the driver’s window, the driver shot him five times.
In this film, Morris deviates from the usual features of a documentary and uses a non-narrator approach and a dramatic technique, so that he can depict the thin blue line between appearance and truth, a line that can either result to justice or injustice. Morris diverges from the usual norms of documentary films and follows an expressionistic rendering of the testimonies. First, in this film, a clear narrator does not exist, and instead, Morris relies on his viewers to digest the testimonies fed to them, so that they can ascertain the truth. He prefers to call his film a “non-fiction feature” than a documentary (Hunter 1995, p.65). The viewers become the narrator, because they have to sift through the material of testimonies provided to them (Hunter 1995, p.65). Chapman (2009) believes that this self-reflective nature of the film helps viewers to find the truth (p.p.24). Second, the film is constructed using dramatic techniques. Williams (1998) asserts that Morris abandoned “cinema verite realism” for “studied, often slow-motion, and highly expressionistic re-enactments of different witnesses’ versions of the murder” (p.383). ...
Not exactly what you need?