Please boost your Plan to download papers
Essay sample - The Role of Class in British Cinema
Journalism & Communication
Pages 10 (2510 words)
The Role of Class in British Cinema The King’s Speech The King’s Speech narrates a story of a man obliged to speak to the entire world with a stammer. It is a painful experience for an individual who is stammering to speak to the other person…
George VI was the king and he never wanted to become one. After the death of his father, his brother Edward was to take the throne but he refused to take it in order to marry the woman he loved, and thus, the duty was given to Prince Albert who since early ages, he had struggled with his speech. Albert has been the favourite of his father, but he mourns the introduction of the newspapers and radio, which necessitate a monarch to be heard and seen on public occasions. To avoid public humiliation, his wife Elizabeth seeks help from several speech therapists but nothing works. At last, a speech therapist from Australia Lionel Miguelbecomes of great assistance to Prince Albert in delivering the King’s speech(Ebert 2011, p320; Conradi and Logue 2011, p201). The paper will discuss the role of class in British cinema with special emphasis on the film The King’s Speech. Royal Politics and Its Aesthetic Value in British Cinema Film theory as it is known today came into existence in the late 1960s and since then, they have been controlled by psychoanalytic ideas. After the First World War, it was easier to identify two specific groups in film criticism. The first group was composed of the Sergei Eisenstein figure, whose theoretical essays and filmmaking in the 1920s established the beginning of the role of cinema as an aesthetic one. Based on the idea of Eisenstein, the aesthetic value of the film depended on its capability to change reality and this took the form of montage in his films. The second group was composed of the surrealists and impressionists. They were of the notion that the main role of the cinema was aesthetic; however, they were of the idea that the camera was sufficient to render general objects sublime. ...
Not exactly what