Orlando by Sally Potter - Essay Example

 Smelik (1998, p.8) asserts that a liberating cinema is one that has been filmed to reflect the real image of a woman. In terms of visualization, Orlando unfolds by “showing the gendered body and transforming Orlando into having a real woman image” (Ciecko 1998, p.19-34). The focus of the British film industry has in the recent past history shifted to considering it as constructing meaning, rather than reflecting meaning.

“The notion of viewing film as a reflection of meaning has of late shifted to considering film as a construction of meaning” Smelik (1998, p.9). To affirm this notion, Ciecko (1998, p.19-34) contends that the film Orlando is one of the few films in the British film industry made by a woman that portrays the real meaning of what the producer is. Orlando is portrayed as a potential crossover film producer. Smelik (1998, p.16) argues that the principle of women subjectivity has been the basis of filmmaking, not only in the female spectatorship but also in how the narrative itself is presented.

“Though Sasha and Orlando are seen kissing, the closeup of Orlando sadness reveals that something is still missing” Ciecko 1998, p.19-34).ReferencesCiecko, A1998, Transgender, Transgenre, and the Transnational: Sally Potters Orlando, the Velvet Light Trap,41, 19-34.

Smelik, A1998, What meets the eye: An Overview of Feminist Film Theory, from her And the Mirror Cracked: Feminist Cinema and Film Theory, St Martins Press, New York, 7-28.