Typically, most of the friendships rarely go past this stage. Thirdly, the relationship moves to the affective stage where private matters are discussed, and arguments may arise. Physical closeness and intimate touching occasion it. After this stage, the relationship graduates to stability. This is the plateau on which private matters are deeply exhibited each of the involved parties can envisage the expressive response of each other (Altman $ Taylor, 1973). Lastly, depenetration may arise if the costs outdo the benefits accruing from the relationship (Altman $ Taylor, 1973).
This theory is well illustrated in music lyrics involving a love story line. The artist first introduces the characters and briefly gives a scenario of how they met. He then describes how they developed an interest in each other and superficial interaction, which is not personal. It is inferentially based on discussion of general issues such as education, economy among others. Later, the artist narrates how intimacy grew between the characters and how they handle arguments and criticism. Lastly, the artist climaxes the lyrics by recounting the aftermath of the relationship; that is if the association survived or depenetrated.
In applying the theory in the film titled “Jack Reacher,” the main character, Reacher, approaches Helen, who is an attorney to a murder suspect. Reacher believes that the suspect is innocent and tries to create rapport with the attorney by making a casual appearance in her office.