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*choose one movie*(Korean movie) - Essay Example

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Name: Instructor: Course: Date: Discuss the film Banga banga’s representation of race and racialized minorities in contemporary Southern Korea. Introduction Banga banga is a South Korean film of 2010 that reflects the racial issues in Korea and yet comical…
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In addition, he is voted as a Korean language instructor and as the president of the labor union of migrant workers and actively participates in a singing competition for foreigners in an effort to win. Tae-sik is often mistaken to be an migrant from Bangladesh and developing countries ("He's on Duty”, 2010) Review of the Banga Banga Film The film is from the perspective of a Korean protagonist banga banga who masquerades as most nationalities in the developing countries like act as if, he is from Nepal, Timor and Mongolia so as to get low paying jobs in the various factories in Korea (Siapno, 2011) The most dominant and emancipator scenes in the film is where he performs multiple stretchy identities, pushing the limits of what homogenous Koreans regard as their uniqueness and the stiff boundaries between ‘us’ and ‘others’ for instance, when he tells his friend that he is in love with a Vietnamese colleague, his best friend replies by telling him that he cannot marry her, as he is not one of them, but one of us.

This was to imply that Southeast Asians are inferior. With regard to when the immigration Korean officials arrest him as an undocumented worker, while he was pretending to be a Bhutanese when in the real sense he was a Korean with an identity card to prove, when asked his nationality, he decides to choose the identity of the oppressed workers from the developing countries in show of solidarity which landed him in prison as opposed to if he chose to say the truth that would have set him free. I support the main character’s choice as we are all equal before the creator and no one had a choice of being who they are.

There is not much difference between the Korean films representation of Southeast Asians with American Hollywood representation of the same but with a twirl as in the Koreans did not colonize Southeast Asia but they are not comfortable being labeled ‘cultural imperialists’ and they are also co-Asians and that is the thing with racism, one does not have to be ‘white’ to practice its ideology and to be frenzied by its dominant hegemonic interpretation of the universe. In the understanding of many,Ideology is defined as a system or sets of ideas based on a specific way of thinking based on popular beliefs what certain socio economic are better than others or bad and therefore outdated and this tends to influence the world view of other people.

In the Korean films, the character of a Koreans citizen is subtle and nuance while that of the Southeast Asian is flat with each of the migrant being attributed to certain stereotypes for example, the Vietnamese woman is accessible sexually and is a potential partner in marriage, in fact, the issue of sexual harassment by the factory manager, a Korean is addressed in a sloppy way which probably is the only effective way the patriarchal society in Korean can digest this. The Filipina woman is stereotyped as a slut, this manifests itself in the Korean language class, the Bangladesh man is stereotyped to as a Korean wanna be, who in this case is trying to mimic the Korean manager by disciplining wage labor: the Pakistani man is attributed as a pious Muslim and finally, the Indonesian man is attributed as lazy and he eats too much.

In a nut shell, each laborer from a third world country is given a cultural stereotype specifically. In brief, therefore, one should be judged based on

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