It also reflects the culture where honor was deeply tied to the economic position of women and based on this division they were categorized into saints and whores. Marquez examines the traditional power which gave the man the authority to chose whom he married and if deemed fit, could disgrace his wife rightfully or otherwise, and Bayardo San Roman is nothing but a true depiction of the stereotype. Not only is Bayardo a typical male of the time, but also the twin brothers of Angela; who just to live up to the standard social order, were ready to kill Santiago for having disgraced their sister. The women were bounded on all sides by traditions and were expected only to get married and have families. They were not allowed to follow their dreams but were expected to be proficient only in household chores, while boys were raised to be men. The novel is full of mythical-religious, symbolic, social and historical illusions which have been camouflaged in apparently a direct language and structure. The Latin American society placed a very high value on the virginity of women when they got married, and Bayardo was no exception to the stereotypes of that time. The story also examined the feminist approach, the socio-economic and gender-based conflicts. The most pressing social issues discussed by Marquez are those related to the class norm and gender norms and how the people living in those communities worked to promote these differences, despite the problems within. On deeper analysis, one discovers, that the social doctrine was not to marry out of love. Similarly, Bayardo on coming to the town decides to marry Angela, whom he had never met. His courtship and obtaining expensive gifts for his future bride was just a way of showing his power and wealth rather than love. Furthermore, his worthiness as a good husband was not determined by his personality and character but by his family, class and wealth. The novel shows how severely the women were treated in the reserved Colombian culture. The social set up of the Chronicle clearly explained that the "The girls were brought up to be married," and were only trained to be good and obedient wives. Angela's mother was frequently heard saying, "They're perfect, and any man will be happy with them because they've been raised to suffer.'' And this is what Bayardo does, makes her suffer when he returns her in disgrace to her family. It is not only she who endures pain at his hands but also her family. However, when we delve deeper into the story, it almost seems that the author views this social doctrine of women's virginity as quite rigid. Though Angela never revealed whether Nasar was guilty or not, she remained enigmatic till the end of the story. When the narrator asked her if Nasar took her virginity, she replied, "Don't beat it to death, cousin. He was the one," and the reader never discovers the truth whether it was Bayardo or someone else who was guilty. The plot is based on the understanding that in order to maintain a woman's virginity, it is important enough to kill for, and conversely that anyone who violates this social custom was basically risking his own death.