It is true that Blake is a mystic, but it is not so easy to see him as an anarchist as the title of the Peter Marshall’s book states. Behind the speculative arguments in this poem we find some dosage of anarchy. From the very beginning in The Argument, we get the feeling of reading a visionary mystic but at the same time a visionary anarchist. Blake makes a random connection between knowledge and experience. There is a subtle anarchy in the way he relates knowledge and experience. His verses are concise and clear. They go right to make a point, but at the same time we sense some kind of rhetorical speculation right beneath their roots. This is poetry. It is not really philosophy. Blake knows this fact about his poetic discourse, so he is free to speculate, to sing freely asserting that “all religions are one” without giving sound theological reasons for this bold assertion. Blake continues in the same vein with his seven principles. The first one equals Man to an angel, a spirit and a demon in a verse characterized by its tight syntax and its semantic freedom. The Poetic Genius is an equality essence that gives unity to Blake’s vision, to Blake’s verse. The unitary element in Man’s diversity is the Poetic Genius according to Blake. He calls it that way knowing that Poetic is Creative, not Creator. Blake is not a pantheist, so he knows the difference between being creative and being the Creator.
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This paper gives detailed information about William Blake singing as a visionary mystic in his poem “All religions are one”, but also he seems to be a visionary anarchist in those inspired cryptic verses. This kind of philosophical poetry takes Humankind as its center taking a universalist position…
William Blake, who was known to love lambs, has used the animal to represent several different roles. The Lamb is used to show the themes of the Song of Innocence as a passive traits of life's existence in comparison with the Song of Experience which represents the active traits.
This essay discusses the diverse symbolism, thematic concerns and the setting in “The Lamb” that are recognized as recurring stylistic and linguistic techniques incorporated by the poet in his collection “The Songs of Innocence” which makes it a delightful experience to explore all the tools assimilated by the poet in order to make his poems unique and picturesque.
There is no light in her that could make her countenance good but only gloom and dread her. “Her light fled” means that there was a time when the earth had her own light that showed her beauty however, at present, she is without light, making her look nothing but stony, meaning, without life.
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This concept is best expressed with Blake's series of poetry in his Songs of Innocence and Songs of Experience where opposites are explored. In "The Lamb," "The Tyger," "Infant Joy," and "Infant Sorrow,' the poet demonstrates how progression is achieved through contraries by examining each from a different perspective.
Yet, is anything more wonderful than the so called "masterpiece" The beloved "apple of God's eyes" Could anything of all creatures surpass man's abilities and greatness I guess there is none. And with the greatness and prowess comes his complex nature of being human.
Based on the context of the poem, the historical context, the other works of Blake, the necessity of dualism and the power of choice, the line “Joys impregnate, Sorrows bring forth” possess several meanings whose purpose is to enlighten the reader.
The meaning of the line
6 pages (1500 words)Essay
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