But when we see nature being destroyed such as oil spilling from an oil tank, or forests being burned or trees being cut down, there are less emotions. Because we don’t see its direct impact to people although we know about it. Seeing its direct impact evokes more feelings than just seeing oils spills or cut trees. Media can show us what is happening but it distances us from the intimacy or attachment to the issues of our world. Just showing information detaches us from the situation and makes us unfeeling viewers. But when we see its impact to our community, when we see how it affects our lives, and the lives of other people, we begin to feel for them, and we begin to understand more and to feel more empathetic and sympathetic about their plight. Kane evoked emotions in his work because he used images relating the destruction of the Ecuadorian rainforest to live people, more specifically, the Huaoroni people. With this, he was able to reach out to people and make his nonfiction literature very informative as it opens us to the world of rainforest destruction.
The Huaoroni became the center of political dispute when it became known as an oil source. When it was discovered that the Ecuadorian rainforest held treasures of oil, the quest to dig up the oil opened the Huaoroni people to modernity. Their once peaceful and isolated life was shaken by the oil company and the different environment groups vying for the control of the funds that the oil companies would give the tribe as compensation for wrecking their home. But the point was that the oil drilling project in the rainforest would greatly destroy the Huaoroni culture and way of living, and it will be lost in time as the tribe relocates themselves to another place.
Kane found himself very interested in the Huaoroni plight and he went to Ecuador to understand the plight of the tribe. His first encounter with the Huaoroni people made him realize that