The Authors of the Koryo Songs - Essay Example

Young girls can turn into a casualty of sexual misuse and numerous young girls, who are being abused, now and again don't remember they are being abused. This human relationship shows how men are ready to take advantage of defenseless savant girls in the community.

Question 2
The authors of the Koryo songs wrote their work for different kinds of reasons. However, the songs convey emotions as well as critical values and views judgments of society and history. Both intellectual and emotional elements in the songs have been derived from the experience of the writers and their reactions to political, economic, and cultural factors. The songs express the exceptional sentiments that have been formed in a specific social and historic environment.
Sorrow is expressed highly in the Koryo songs and is mainly accompanied by subservience deriving and self-sacrifice from traditional ethical concepts. The songs tend to beautify the sorrow of unreciprocated love and seldom express blame or hate for the unfaithful lover. This reflects the Korean propensity to make a concession and be resigned rather than making objections and challenges. Therefore, in the Koryo songs, sorrow is mitigated and subdued secretly inside. This forms a unique texture of Korean psychology known as the unrequited sorrow or the han.

Question 3
Love plays an unavoidable and enormous role in several cultures. Love is highly described in popular songs, such as Koryo Kayo. It is a steady subject of developing life and a dynamic topic for youth. Rationally, the way of love has, since the time of the Ancient Greeks, been a pillar in rationality, creating speculations that range from the materialistic origination of adoration as simply a physical marvel – a bestial or hereditary urge that directs our conduct – to hypotheses of adoration as a seriously profound undertaking that in its most noteworthy grants us to touch godlikeness. Verifiably, in the Western convention, Plato's Symposium introduces the starting content, for it furnishes us with a tremendously compelling and alluring thought that love is portrayed by a progression of heights, in which carnal yearning or base desire is superseded by a more educated origination of adoration that likewise is surpassed by what may be interpreted by a philosophical vision of love that rises above exotic fascination and commonality. From that point forward there have been depreciators and supporters of Platonic love and an assemblage of option speculations – including that of Plato's understudy, Aristotle, and his more common hypothesis of intimate romance reflecting what he depicted as 'two bodies and one soul. Read More