The authors thought towards Shams is that he is a meandering dervish, who has confidence in general adoration versus closed-minded religion, and he has these basic yet significant forty rules of love that he abides by. The author has also tried to highlight on the biases of the thirteenth century Konya, before succumbing to envious adversaries and narrow-mindedness by her explanation on how Shams impelled Rumi. Shams becomes a close acquaintance with Rumi, conveys him home, irritates him and, puzzlingly, drives his spouse to an early grave. In this case, the author may be trying to show how love works in the world hence the theme of relationships (Shafak 203).
The impression from Ella is that her life is like steady lake implying that the situation that she has put herself into brings challenges in her life. She is seen as someone who let herself ponder over love, and she finds it challenging ever to experience love again because she feels hurt and pessimistic. She is also faced with the dilemma of decision-making on whether she should read on and get changed or whether she should give up and conspire with the situation. Ella is also likeable though struggling for happiness and purpose in her life. Finally, Ella is changed by meeting both Aziz and Rumi, and she feels lively again (Shafak 72).