Human Nature as a Struggle between Reason and Desire

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Philosophy explores the abstract problems for universal understanding. It seems far-fetched as to how could it be explained through clearly visible, fixed and immediate thoughts presented in the films. Philosophers have rated understanding through images as most primitive and immature.


This prejudice against visual images is further enhanced in cinema. Since there also we sit in the dark hall and see images moving in front of us. Le Doeuff (1989 as cited in Falzon 4) stated that images are illustrative which enter deep and help form our thoughts.. Still some may argue that let films be just films. Why distort or bend these to fit into some philosophical definitions The answer to this may be, using films to interpret philosophy is just one more perspective to looking at these. One may argue that films are prejudiced in having the maker's view and thus may influence our interpretations. Certainly, but you can use the film as a base to think of presenting the story in different way or find what the maker has left out. We remember longer what we have seen and that continuously constructs our thinking till our reasons satisfy the outcome. In the movie Cape Fear (Scorsese 1991), Max Cady is a vicious redneck who has just served a 14-year prison sentence for a hideout incident of rape and battery. Now, he's arrived to seek vengeance on Sam Bowden, the lawyer who defended him but was so repulsed by his client's crime that he buried a crucial piece of evidence. The latter could have reduced severity of Cady's punishment. ...
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