The Movement of New Argentina Cinema: La Cienaga - Essay Example

The past and history of Argentina affect its people's lives. Poverty has been sprouting since the old conflicts of Argentina and to Lucrecia Martel, this is an old story. Perhaps she grew up with the economy always in trouble and an issue of living thus she learned to sustain herself alone. She learned the only way out when you are caught up on the edge of a tough 'always' unexpected situation is to deal with it followed by reality acceptance. This will bring life worth living. Her years taught her to strive and put 'crisis' into a more constructive structure.

After attending to Argentinian Film Centre which shut down during the economic downfall in 1989 she volunteered in short filming; spent some time reading Greek philosophy; and watched movies to dig her knowledge in the cinematography of filming. Her masterpiece made her script La Cienage win the award in 1999. To develop her production the prize was merely used as capital. Martel's works withstand and become a passion for Argentine cinema renewal. She molds every craft and shape with heart and design for an artifact of sound.

It is like she's representing herself as the place spectator and characters intentionally constructed with the touch of her experience. Thus she put characters to serve as vehicles to represent the actual crisis of Argentine emerged to the revelation of desire and hope to live indifferently. Martel's works have a strong relationship with her experiences. The movement of New Argentina Cinema and the prominent crisis is the astray of diverse screen-play class, its timing helps not only Martel but the other best-known representatives bring out into the heat of enthusiasm of hallmark cinema art.

Looking at the deeper notion of "La Cienaga" the characters are a portrait of Argentina's catastrophe in geography and climate. As for the cast of "La Cienaga" human fate is caused by nature and the film is an exceptional autobiographical in many ways. It tells the story of dysfunctional two related families in their devastating lives. One is on the outcry of declination at middle-class families while the other is in the marginalized situation of upper-class level. Growing up in Salta, in the northern province of Argentina, where she first made the filming of La Cienaga, the family middle-class Martel tries to draw up harsh reality through the attribute of characters with both have adrift social class.

The integration of the imperfection of lives impersonated in the film made "La Cienaga" represents concealed truth of depression. The mutual convention of sound framework to the hostility of characters' social class into the deep emotional desperate situation made anyone drag from the perspective of the story place to reality. The elements of language aspects, the ambiguity of ambiance, and detailed and realistic soundscape can bring the spectator close to the physical world and the different sound level plays an important role.

Whereas, the sound intimacy creates sensory awareness of foreboding absorption of the story place in the day of life which anyone can feel the strong attachment to reality happening in the story. Martel merely writes for sounds with a deep concern for aesthetics at the same time she keeps experimenting not alone for the beautification of cast roles, script, dialogue, and angle shots but for the importance of sounds as well. The mechanisms of noise manipulation thematize the functions of music and sound in the foreground environment of the play which made the spectator immerse the sonic imagination into life. However, the cultural huge soap opera influence the themes of La Cienaga. Martel constructed melodrama in which she tackled women's roles. Martel's films represent how fantasy exists when freedom is blurred among women. There are revealing ordinary scenes touching down the ripples of emotion into tears and high moral tones.