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Madame Bovary by Gustave Flaubert
Pages 4 (1004 words)
French realism of the nineteenth century passes two stages in its development. The first stage, becoming and the statement of realism as a leading direction in the literature (the end of 1820s - 1940s) is presented by creativity of Stendhal, Balzac, and Merimee.
Majority of critics emphasized occasional reasons, which have served to Flaubert as a stimulus to creation of the novel. Flaubert has started to think over "Madam Bovary" absolutely in other plan, than what has turned out in final edition. First he thought to make the heroine the virgin, who lives in the provincial environment, grows old from affliction and reaches extreme mysticism in dreams on imagined passion. The heroine was drawn to him as a carrier of mystically excited feelings, the person, who entirely has left in her own inner world. But Flaubert has undertaken more realistic plot, as a basis for which has served the story of Delamare, the doctor from the town of Ry. "On the advice of his friends Louis Bouilhet and Maxime du Camp to whom Saint Antony had been read, Flaubert was enjoined to tackle a more down-to-earth project that would focus on an everyday subject taken from contemporary French life. This he did with enthusiasm, using as the basis for his new novel the banal story of the marriage breakdown of a middle-class Normandy couple, Eugene and Delphine Delamare"1. Matrimonial misfortunes of Delamare (infidelity of his wife) amused gossips lovers; seduced, and then dumped by the lover, Delamare's wife has poisoned herself. So that story has become the ground of the novel "Madam Bovary".
In the novel we see Emma, a dreamy provincial surrounded with absolutely ...
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