Science is more often than not deployed for destruction. Mary Shelley in her book Frankenstein had shown how a scientific creation in the form of a monster could bring about destruction on the creator's near and dear ones. This Frankenstein model has been used in other works of fiction much later…
This caused a social detachment in her life, especially during the first phase of her life. This sense of detachment from the society became prominent in her novel Frankenstein. (BookRags, 2000-2006) The protagonist of this novel appears like a person who is not accepted by the society to which he belongs. 'Abnormality' is the bleak mark that is thrown upon him by the society. This is where Frankenstein resembles Edwards Scissorhands. Both the characters suffer hatred of the society as they are not like the other members of the community and thereby taken as abnormal, while abnormality is something that is displayed by the so-called human characters present surrounding them.
The Industrial Revolution in the 18th century England had ridden society of the tradition, which was a product of Romanticism. A feeling of anguish in response to the Industrial Revolution and a yearning to go back to the past had characterized many poems and novels during this time. The attack on mankind and nature brought in by the Revolution impacted Mary Shelley's work to a great extent. Frankenstein, or The Modern Prometheus, was a symbol of this resistance against the Industrial Revolution, which altered the structure of society that was the very base of the romantic ideals of humanism, emotion, individualism and nature. The gothic culture finds its way slowly into the novel. The romantic ideals of isolationism and detachment have a prominent presence in the story.
Victor Frankenstein created the monster, which ultimately destroys his creator, holding him responsible for making him an embodiment of ugliness. This is one of the main themes for both Frankenstein as well as for Edwards Scissorhands. Scissorhands is taken to be the elephant man by the rest of the society and both he and Frankenstein are very much aware of the hatred generated from society only because of their ugly physical appearance. Both the characters are gothic in the sense that they create horror for the other people surrounding them. This horror, surprisingly enough, is actually not intentionally created by them. Their ugliness and mismatching behaviour when compared to others are the reasons that make them horrifying figures.
The images seem to pervade our 'dream, fantasy and myth.' Frankenstein - the monster never stutters while speaking. He speaks with logic and his destructive nature is nothing but an unintended creation of human curiosity for the unknown. George Levine analyzed the metaphorical significance of 'Frankenstein', emphasizing that this fictional piece of work harbored a 'myth of realism'. One the other hand, Lee Sterrenburg examines Frankenstein from a political perspective to show how it became a political tool for the Victorians. (Levine and Knoepflmacher, xiv) Edwards Scissorhands, on the other hand, is a much more recent figure when compared to Frankenstein. Still, the moral values and feelings that reign supreme in his mind are very similar to that of the latter. Both the characters feature, in a way, unreal statures in the midst of reality. Thus, both of them are secernated from the surroundings to which they belong.
The creation of the monster and the destruction accompanied with it eats Frankenstein from within every moment. This feeling is embodied in Frankenstein's words, when ...
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The epistolary style that the author employs allows the reader to view the circumstances from varied viewpoints and draw conclusions from the plot and the characters. The book The plot has a variety of story-lines rolled into one. The main however is about a Doctor Victor Frankenstein who though born to a well-to-do and loving family, is over- ambitious and thirsts to prove himself.
I try in vain to be persuaded that the pole is the seat of frost and desolation; it ever presents itself to my imagination as a place of beauty and delight. There, Margaret, the sun is forever visible; its broad disk just skirting the horizon, and diffusing a perpetual splendour.
This paper will look at the third chapter of Shelley's masterpiece both closely and as part of a wider picture to show that this early section of the novel, written in the early years of the larger Gothic movement, is full of prophetic detail about not only the rest of the story but the rest of Gothic literature.
Post-structuralism argues that readers should deconstruct meaning and social relations from the text that they are interacting with. Meaning comes from the text itself; language has meaning embedded in it already that will explain what the text means, including how it functions and for what purposes.
It will be the understanding of this particular analysis that Frankenstein exhibits and typifies this period due to the fact that it chooses its level of focus to be almost strictly based upon interpersonal and societal relations; something that has never lent itself to scientific analysis and/or definition. When Dr. Frankenstein initially created the monster from the many body parts that he collected, it was his hope that such a creation could be an overall benefit to mankind.
“Mary Shelley's Frankenstein: Science, Science Fiction, or Autobiography?” is written by Sherry Ginn who is a renowned author and critic. Sherry Ginn is PhD in General Experimental Psychology and is currently a professor at Rowan-Cabarrus Community College. She also worked at East Carolina University and Wingate University and taught in Women Studies program.
This period mainly advocated for reason, criticism, logic and freedom in terms of thought contrary to dogmatic, superstitious and blinded faith. During this period, logic played a role in advocating for a world view that argued for an empirical view of human life in revealing the truth related to the universe, the self and the human society.
The novel begins from the events took place in the Arctic Circle. This narration reflects the mankind aspiration to the North Pole and exploration of arctic territories which repeatedly occurred in the 18th and 19th century. This beginning (as well as the end) of the novel is not casual: the Arctic Circle was one of the least explored territories of the Earth, and people didn't know the nature of this area.
Advances in technology and machinery touched off new scientific debate while Charles Darwin’s Theory of Evolution further questioned the veracity of the Bible itself (Landow, 2006). The increasingly literate public was becoming more
Exploring and critically analyzing the life experiences of the three characters would reveal that knowledge caused their sorrows.Frankenstein alienates from the people and creates a monster that in turn causes him regretful miseries.The human monster faces rejection that makes its life sorrowful. Watson also experiences sorrow for his lust for knowledge.
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