This caused a social detachment in her life, especially during the first phase of her life. This sense of detachment from the society became prominent in her novel Frankenstein. (BookRags, 2000-2006) The protagonist of this novel appears like a person who is not accepted by the society to which he belongs. 'Abnormality' is the bleak mark that is thrown upon him by the society. This is where Frankenstein resembles Edwards Scissorhands. Both the characters suffer hatred of the society as they are not like the other members of the community and thereby taken as abnormal, while abnormality is something that is displayed by the so-called human characters present surrounding them.
The Industrial Revolution in the 18th century England had ridden society of the tradition, which was a product of Romanticism. A feeling of anguish in response to the Industrial Revolution and a yearning to go back to the past had characterized many poems and novels during this time. The attack on mankind and nature brought in by the Revolution impacted Mary Shelley's work to a great extent. Frankenstein, or The Modern Prometheus, was a symbol of this resistance against the Industrial Revolution, which altered the structure of society that was the very base of the romantic ideals of humanism, emotion, individualism and nature. The gothic culture finds its way slowly into the novel. The romantic ideals of isolationism and detachment have a prominent presence in the story.
Victor Frankenstein created the monster, which ultimately destroys his creator, holding him responsible for making him an embodiment of ugliness. This is one of the main themes for both Frankenstein as well as for Edwards Scissorhands. Scissorhands is taken to be the elephant man by the rest of the society and both he and Frankenstein are very much aware of the hatred generated from society only because of their ugly physical appearance. Both the characters are gothic in the sense that they create horror for the other people surrounding them. This horror, surprisingly enough, is actually not intentionally created by them. Their ugliness and mismatching behaviour when compared to others are the reasons that make them horrifying figures.
The images seem to pervade our 'dream, fantasy and myth.' Frankenstein - the monster never stutters while speaking. He speaks with logic and his destructive nature is nothing but an unintended creation of human curiosity for the unknown. George Levine analyzed the metaphorical significance of 'Frankenstein', emphasizing that this fictional piece of work harbored a 'myth of realism'. One the other hand, Lee Sterrenburg examines Frankenstein from a political perspective to show how it became a political tool for the Victorians. (Levine and Knoepflmacher, xiv) Edwards Scissorhands, on the other hand, is a much more recent figure when compared to Frankenstein. Still, the moral values and feelings that reign supreme in his mind are very similar to that of the latter. Both the characters feature, in a way, unreal statures in the midst of reality. Thus, both of them are secernated from the surroundings to which they belong.
The creation of the monster and the destruction accompanied with it eats Frankenstein from within every moment. This feeling is embodied in Frankenstein's words, when