He is further chided by the dervish who asks him how it can lead the fool to him if there is no strict way in the desert. The fool appears again when the slave who was seduced by the beautiful princess tries to explain the experience he had when her maids made him drink too much and stole him in his sleep to the princess's chamber. The elating experience he had with the prince seemed like an enigma to the slave later when he was transported again in his sleep back to his hard floor. The fool suggests that he had just had a dream in his sleep that has made him mad. Here too the fool fails to perceive things beyond the details provided to him. He does not take pains to analyze the information he receives and comes to hasty conclusions, often reflecting the tendency of human beings to remain complacent, satisfied with the fragments of knowledge and wisdom they are given through experiences and never having the quest to go beyond them.
The poem contrasts the physical and spiritual from the very beginning. The Hoopoe persuades various kinds of birds assembled to go beyond the temporal bliss of the physical world. The world of luxury and comforts defy the loftier truth that links all objects in the world. One has to bid farewell to worldly attainments and start a journey/flight to the ultimate truth, presented in the poem as Simorgh.