"The posture is that of a victorious general addressing his troops, and the emperor is shown in armor. His breastplate is sculpted with scenes of Roman military triumph and the mythological figures of gods and goddesses. The pose of the figure is clearly based on the Greek model of the Spear Carrier, and the face shown is that of a handsome man in the prime of life." (Lewis and Lewis, 230) Through an effective combination of Greek idealization and Roman realism, this marble statue creates a convincing portrait of a 'real man' and a successful image of the perfect leader. Augustus is represented in this statue as the 'pater patriae', who is looking down on his people with calm concern and complete self confidence. Therefore, it is essential to realize that Augustus of Prima Porta, which is now displayed in the Braccio Nuovo of the Vatican Museums, is a perfect example of the Imperial Roman statuary and Augustus, in this statue, consciously attempts to identify himself with the ultimate authority of Rome during the Golden Age of the Roman civilization.
In a reflective analysis of Augustus of Prima Porta, it becomes lucid that this statue of the emperor Augustus can rightly be considered one of the most essential examples of the enigmatic works of art from the Augustan era.