Tower's works, moreover, evoke an energy, a use of color and texture which are uniquely her own, and which make them not only exciting to listen to, but continue the traditional lineage of Western art music (Scholes, 1979). Conductor Leonard Slatkin states that Tower's works come from the "roots" of the "traditional playing repertory. "He describes her work as being "a continuation of historical musical line, but late twentieth century work" (Slatkin, 1984, p. D3). As will be illustrated through reference to her works, with particular focus on Fanfare for the Uncommon Woman, although Tower's music has strong ties to much of the music which came before her, through her use of orchestration, form and musical materials, her final product which combines these elements is not simply a repetition or imitation of what has been written, but an intertwining of these characteristics into the context of her own new musical work.
Tower's practical process of dea ...Show more