Da Vinci and Freud

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Leonardo Da Vinci was either the ultimate perfectionist or the ultimate procrastinator, or possibly both. Following his death, Da Vinci left in his wake many unfinished paintings and notebooks filled with scribbles of inventions he never got around to building.


The notebooks that Da Vinci left behind disclose an exceptionally alert and incisive mind swimming with so many fantastical initiatives that it would have taken several lifetimes to bring just the realistic to fruition. As a result of what he did accomplish and the truly breathtaking scope of what he intended to accomplish, for most of his legacy Leonard Da Vinci has been relegated to that airy sphere of the genius, removed from the rabble of consistent mediocrity. For this reason, Da Vinci's image has tended to withstand contemporary assaults and interpretations through the ages. Safely removed to a period considered among the heights of human achievement, it has always been easier to simply dismiss any realistic examination into the psyche of his mind by explaining him inadequately away as a genius.
The past century, however, has witness a revitalization of the image of Da Vinci that has gotten particularly vital in the past few decades. No longer content to explain away artistic prodigy with the lame excuse of genius, the critical investigation into what has made Da Vinci a titanic figure in history has come down to earth through careful examination of all extant material. Da Vinci's exertions on an assortment of subject matter have made its way across the world, found in museums on nearly every continent. ...
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