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What is Q in Jona Lendering's on the Q-Source - Essay Example

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"What is Q in Jona Lendering's Essay on the Q-Source" paper identifies when and why was the hypothetical text proposed, its probable date of origin, and explains how it begins and ends. The paper also identifies the ways God spells evoke the "silent film" era.  …
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What is Q in Jona Lenderings Essay on the Q-Source
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Then it is necessary to believe that it was compiled in the period when Jesus' disciples were alive. The mention of a murder in a temple that was found common in both Mathew and Luke indicates that the earlier version of "Q" was compiled after that, i.e. after the winter of 67/68. The usage of things in the "Q" source by Mathew and Luke states that a Greek version of the text was also available before them. The most accepted form of the existence of "Q" is a two-source hypothesis that was proposed by modern thinkers like Tuckett, and Taylor (1953, 1959).

This argument might have come from the fact that the composition of "Q" happened at different times and by different people. The first source can be considered the earliest and the second source is the latest. The proclamations of judgment at the beginning and end of the document were directed against Israel. The usage of Greek in the source suggests that it can be the work of Galilean followers of Jesus. But there is a chance of Greek Diaspora outside the Galilean area contributing to text in "Q" like Paul who persecuted the Church with his Greek synagogues. This again confirms the time of compilation of the "Q" to the time of aftermath of the winter of 67/68.

The God spell evoked the "silent film" era in a manner of establishing Jesus' command and divine authority. As the films were silent or narrated by background voice, the teachings and scriptures were minimized and the characterization of Jesus as a divine authority and his ascension to the right hand of God was considered as the motto of the films.

In doing so it reestablished the proclamation of divine authority over the scriptures and gospel. In the silent film era, more dramatization was required to exhibit the divineness of Jesus as there was very less chance of conversation. Though there was a conversation, it might be present in the form of dialogue appearing on screen or narration on the backdrop. So the dramatization of events and the miracles used to play a major and key role in establishing the divineness of Jesus. The baptism of Jesus by John, the miracles of Christ, his crucifixion, resurrection, and ascension comes to the people in different ways in different eras of the cinema.

The God spell takes us to the dramatic and spiritual form of Jesus rather than the historical Jesus in the latest films. In this manner, it evokes our imagination about Jesus which can be compared with the sort of imagination that was formed in the minds of people by Jesus films in the silent era. For instance, in the silent era, more angles, more miracles, and less gospel were used to fill the movie.  

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