On the other hand his sculpture was influenced by the traditional Romanian motifs, so the past was not totally vanished.
Born in a small village from Romania, a country not yet so developed in many fields, Brancusi enjoyed a peaceful life, in the middle of nature. In the past and even nowadays the Romanian peasants decorated their houses with traditional signs, motifs, that later appeared in Brancusi's works next to the avant-gardist ones. At the same time each of his sculpture has a theme or several ideas. So, the redefinition of the form begins with the transformation of antic in something modern, of an easy work into something more difficult to understand. Brancusi's originality lays in the inner strength of his sculptures, in the geometrical and simple forms. These came from his country values: simplicity and love for nature.
Constantin Brancusi was not so well received by the contemporaries because his sculptures were not facile, and could not be understood by everybody. In Romania, his natal country, his genius was recognized only after 1964 when the authorities started to arrange and to take care of the monumental assembly(containing The endless Column, The silent Muse, The gate of Kiss, etc) from Targu-Jiu. In spite of some unfavorable critics, in 1912 he received his first prize at the Bucharest Drawing-Room, and a year later his works were presented in many exhibition in New York, Paris, Chicago, Bucharest, Munchen, London, so it can be said that his recognition came during his life, but it was not according to his real value. In time this thing changed, the proof is that he is considered nowadays the greatest sculptor of all times and that one of his sculptures from Bird of Space collection was sold in 2005 for $27.5 million, being the highest sold sculpture ever.
His country influenced him very much but the abroad studies were also very important. After studying at the Beautiful Arts School from Bucharest he studied in Paris, being for a period an apprentice in Rodin's workshop. He didn't stay here so long, because he was aware of his capacity and that a real sculptor could not develop under the mentorship of another great sculptor: "nothing can grow at the shadow of the big trees(at the shadow of an oak tree cannot grow any other tree)"3. Constantin Brancusi was aware of the fact that he saw life and art differently and did not want to undertake somebody else opinions, forms and experience because he knew that in this way he would not be able to grow, creatively speaking. This doesn't mean that Rodin didn't inspire him, but he knew when to stop and when to put his own print. He believed that a creator should work with his three coordinates: his divine side, his royal side, but , at the same time he should commit himself totally to the work.
Constantin Brancusi's forerunners over loaded the sculptures, using obscure forms and mysteries, thinking that in these lay their value. They couldn't use their innovative spirit and they couldn't believe they can create through