The paper tells that the greatest asset of A Tale of Two Cities is its portrayal of the violence during the Reign of Terror. Dickens tends to exaggerate its horror. Though he quotes no figures he gives the impression of a frenzied massacre lasting for years. Despite this, the portrayal of the Terror is still useful because of several historic events that are described realistically. The Bastille was captured when the mob Parisian revolutionaries surged forward and defeated its garrison. This opened the floodgate of mob violence that would inundate the country. Although the description is not completely historically accurate it gives a valuable image on the attack. Again and again, Dickens insists upon the meaningless horrors of revolution-the mass-butcheries, the injustice, the ever-present terror of spies, the frightful bloodlust of the mob. He broods over their frenzies with a curious imaginative intensity. "There could not be fewer than five hundred people, and they were dancing like five thousand demons... keeping a ferocious time...then swooped creaming off.” The September massacres are also mentioned. Dickens is correct in that they lasted four days and around eleven hundred were slain. "Eleven hundred defenseless prisoners of both sexes and ages had been killed by the populace; that four days had been darkened by the deed of this horror...an attack upon the prisons, that all political prisoners had been in danger, some had been murdered"....
This unjust slaughter was present throughout the Revolution and the novel too. This emphasis on the violent revolutionary scenes is a useful addition to the study of the Terror as it is described in immaculate detail even though it is somewhat exaggerated. Some events may not have happened but it is much better for understanding the atmosphere then getting completely accurate accounts.
The fascination and interest Charles Dickens had in the mob-mentality of mankind can be illuminated through his use of the extended metaphor of the rising sea. His intrigue with this phenomenon is depicted through his numerous references to the dangers and powers invested in these groups. This image of the rising sea stems from the echoing footsteps which are both relative to the theme of revolution and terror. The echoes, which resembled the possibility of a future revolution, have grown so substantially that they have morphed into a dangerous sea. With the rate at which the mob was growing, concession seems all but inevitable.
The personified sea "engulfing new victims" (Johnson 979) continues to rage on with no decrease in force or rage. In an observation made by Norrie Epstein, "The most vivid character of all is the swarming mob. Dickens had always been fascinated by the psychology of the crowd in which the individual sheds his identity and inhibitions and merges with a larger entity" (Dickens, 222). With the occurrence of mass murders by the guillotine, Dickens clearly shows how people's morals can be overshadowed by their peers. It is conceivable that Dickens based his metaphorical rising sea on the studied and research conducted by well known psychoanalyst Sigmund Freud. Freud proposed that the mind was divided into three
This paper discusses the consequence of mob's violence in both the cities i.e. Paris and London as mentioned in A Tale of Two Cities by Charles Dickens. The interest Dickens had in the mob-mentality of mankind can be illuminated through his use of the extended metaphor of the rising sea…
Effects of long imprisonment are also outlined. Charles dickens was a lover of America t his first visit. However, from his experiences in the country, he realizes that it is not as smooth as he thought. He clearly illustrates his perception of America in American Notes.
The situation is that the horse carriage of Monsieur the Marquis was running down a road when the horses ran over a small, poor child eventually killing it. The carriage is stopped as its driver is humble and scared. A man lifts up the dead child and puts it down by a fountain. Few people get hold of the horses’ reins so that it doesn’t run away.
Ishiguro’s main protagonist, Stevens, in The Remains Of the Day speaks in the first person narrative because he wants to present directly the thoughts and stream of consciousness effectively to the readers.
Between Arthur Conan Doyle's stories of Sherlock Holmes pursing criminals through the back alleys of London and Dickens' stories of poor orphans struggling to survive, the image of Victorian England that is perhaps forever burned into the public consciousness is one of filth and unfairness.
Pip's journey is thus a highly 'individual' journey, and is in certain way a tale of alienation. It is a journey where he Pip goes through a diverse range of experiences that continually challenge his understanding of class, family and individuals at large to finally come to a better understanding of himself.
What sort of an individual he was? Charles Dickens describes his credentials thus: “Oh! But he was a tight-fisted hand at the grind-stone, Scrooge! A squeezing, wrenching, grasping, scraping, clutching, covetous old sinner!” (Dickens, 1990,
Born in 1812, Charles Dickens was one of the seminal English writers of the 19th century. While many renowned literary writers failed to gain popular success, Dickens novels were enjoyed by the mainstream culture at a level Stephen King's novels are appreciated today. There are a great many reasons for Dickens mainstream appeal.
She is a perfect girl and she is the one who can help her father in the process of recovery (Dickens, 34). The book encompasses the description of differences which are present in the conditions of Paris and London.
The author describes how the French revolution took place between 1789 and 1793 and affected the lives of individuals in Paris and London, in England. The story begins in Paris where Dr. Manette was released from the Bastille prison. He had been imprisoned by the French aristocratic government for eighteen years for dishonoring the English Crown.
5 pages (1250 words)Book Report/Review
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