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What are the two principle demands for artefact in Italy between 1300 and 1600?
Pages 8 (2008 words)
Between 1300-1600 years, Italy was influenced by economic and social changes which had a great impact on social values and traditions, tastes and preferences. The demand for art was caused by different factors including wealth accumulation and the role of religion in everyday life. …
The principle demands for artifacts in Italy were increasing role of religion and church in life of citizens and new consumption patterns caused by accumulation of wealth and financial prosperity.
The demand for a religious art was caused by increasing role of church and religion in life of the state. The supreme task of church art was to serve the liturgy. Hence church art was determined by a particular purpose. The building and furnishing of the House of God were subordinate to that purpose. This subordination was the very reverse of a restriction or hampering of creative power. It was not so much a matter of subordination as of integration into the great reality of God's dealings with man. Images in church were meant to be at the service of the preaching of the faith. This immensely high task required the artist to submit his creative action to the judgment of the word of God. His uncontrolled subjectivity and creative fantasy had to be disciplined by faith. Since he was being called to be a witness to the truth through his work, he did not regard it as a restriction of his freedom when the Church exercised her pastoral office and refused to have images inside the church which contradicted truths of faith. This ordinance was not concerned with aesthetic questions of style and form. In these, so long as no offense was offered to the dignity and holiness of the faith, the artist was free. ...
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