Most of Rautavaara's works have been recorded with his Symphony No. 7 been performed too. His works hint Modernism as well Romanticism and even show Constructivism and Mysticism. He can be well said to be a mediator in the creative process. In regard to the absence of history as Post-Modernist and being a Romantic he himself commented, "A Romantic has no coordinates. In time, he is yesterday or tomorrow, never today. In space, he is over there or over yonder, never here."
He also demonstrated an extended approach in his Neo-Classical period. Among his early piano works, "Kolme symmetrist preludia (Three Symmetrical Preludes, 1949) was Constructivist; "Pelimannit" (Fiddlers, 1952) was folklorish; and "Ikonit" (Icons, 1955) stemmed from Orthodox mysticism."
Rautavaara has marked the field in various musical ensembles as orchestral music, works for string orchestra, solo instrumental works, chamber music and vocal music. He writes extremely melodious tunes with depth and without being artificial which is surly a great achievement in present music scenario.
Einojuhani Rautavaara's works are clear influences of the most complex human emotions. ...Show more