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The Norton Anthology World Masterpieces - Essay Example

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This essay "The Norton Anthology World Masterpieces" compares three outstanding imaginary women from myths and literature – Athena from Homer’s Odyssey, queen Dido in the ‘Aeneid’ by Virgil, and Margot from ‘The Gate to Women’s Country by Sheri Tepper…
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The Norton Anthology World Masterpieces
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Literature 3 Women always played important role in the political and social life of s, in spite of their inferior status. While men were waging wars and struggling for new lands, women were trying to maintain the social order; in general they didn't rule directly, since the society always restricted their power, but acted as 'grey cardinals', whole control was always hidden. Nevertheless, literature and world history contains the outstanding personalities of those women who were both wise and magnificent and governed the whole countries, keeping in their hands the fates of nations. In the present essay, the author is going to compare three outstanding imaginary women from myths and literature - Athena from Homer's Odyssey, queen Dido in the 'Aeneid' by Virgil and Margot from 'The Gate to Women's Country' by Sheri Tepper. The first feature, common for all these women, is their masculinity, interwoven with typically female manner of control. Queen Dido rules Carthage, Margot is a member of the Damned Few, the secret council of the Women's country, and Athena is a deity, a goddess of war, wisdom and knowledge, adored in the Ancient Greece. In order to understand Margot's roles and functions, let's look briefly at the organization of the Women's Country. "Within Women's Country, all the cities are walled and each city has, outside its walls, a garrison of male warriors to protect them from other male warriors protecting other cities" (Tepper, 1988, p.21). In exchange for this defense, the women have to give their male children to his father at the age of five. Warriors are allowed to enter Women's Country under two circumstances. First, they can visit it biannually for 'Carnival', a social event which encourages men and women to have intimate affairs in order to have children. Second, the warriors, who wish to change their life and turn it to more peaceful side, can return to the Women's Country as the servitors, who perform the women's commandments, but enjoy civilized life without any weapon, cruelty and violence. The ordinances and instructions made by the women are directed to day-by-day guidance for the inhabitants, who want to lead healthy and productive lives. Furthermore, the Damned Few's policy is close-knit with the total abolishment of gender inequality and with making women independent. Margot is one of those who try to improve the lives of the citizens, who really long to construct, not to destruct. In spite of her great power, Margot hasn't become cruel, like many tyrannical political leaders. Margot is an elder and physician in Marthatown (ibid, p.43). Margot is a person, whose life is an example of righteousness in terms of women's country. She has to develop new the values of gender equality (or even of female dominance to some degree) in the Country, so she does not allow herself such trivial things as love while solving problems of great importance, such as problem of violence. Using the power her knowledge and wisdom, she rejects the power of her emotions and brings up her daughter Stavia in a similar way (ibid, p.82). Queen Dido is one of the first female characters of western literature. It is possible to say that she is a female parallel to Aeneas. Queen Dido experiences a loss, when her brother betrays and kills her husband Sychaeus. Nevertheless, she is actually a person who founded a new city, having led her people from the motherland as exiles. She has no intention to fall in love with Aeneas, but Cupid traps her with his arrow. Thus, diving into the love, Dido looses her masculinity and moral stability, and her city begins to weaken. Once Aeneas leaves her, she becomes anxious and gets a fixation on her feeling, and needs a child in order to comfort herself. Having broken her promise of fidelity, given to her husband's soul, and feeling completely desperate, she commits suicide but not without bothering the Trojans and predicting the wars between Rome and Carthage. Dido does not represent the typical woman of classical Ancient Greece. She stayed alive after the death of her husband (when she should probably have sacrificed herself) and took her people away from a despot to establish a new metropolis. Her city is gradually growing, prospering and enriching; and people respect their salvager, until Venus decides to interfere into the set of affairs and forces Cupid to made Dido fall in love with Aeneas. Dido is not capable of controlling her city any longer, since she is defeated with love. When she has an affair with Aeneas, she views it as marriage, but he has another attitude towards their relationship. Dido's love for Aeneas and her response to rejection changes her from a dignified queen into a witch who tries her hand in magic. She cannot be both emotional woman and iron rules, so her suicide reflects the fact that woman and power are actually not corresponding terms. Thus, Margot and Dido are similar to great extent, since both of them have to manage with huge responsibilities and get involved into politics. On the other hand, Dido, due to the divine interference, looses her power, while Margot follows the rules, established by her throughout her life course. Another prominent character in Greek mythology, Athena is only partially comparable to those earthy women, since she should not be treated as a simple human-being. In Homer's 'Odyssey', Athena appears in almost every book, sometimes as the goddess of wisdom, and sometimes as a forecaster of military conflict, because deities in Greek mythology had multiple functions. In fact, 'Odyssey' starts with her appearing to a meeting of the deities on Mount Olympus and pleaded for them to finally let Odysseus return to his motherland, Ithaca (Homer, 1995, p. 221). Furthermore, Athena Often gives some hope to Telemakhos, and encourages him wait for his father's arrival. She frequently appears to Odysseus and aids him during his long journey and makes his appear more than he is so that people agree to help him (Homer, 1995, p.284). Nevertheless, Athena, to my view, cannot be seen as 'good' or 'evil', because on the one hand, she could have showed Odyssey the right way home, but didn't do so. On the other hand, she could have made more obstructions to his efforts, so Athena is just a deity, who enjoys her power and ability to influence earthy people. Athena, as I have mentioned above, is not a human-being, who is concerned with the problems of humanity (like both Margot and Dido), because she believes gods are eternal and 'short-term' problems are not the responsive concerns for a magnificent deity. Athena, being anthropomorphic and humanlike, is not a human in her nature, while Margot and Dido prove their sociality and loyalty to their people. Bibliography 1) Homer. "The Odyssey." The Norton Anthology World Masterpieces. Ed. Maynard Mack. U.S.A.: W.W. Norton &Company, 1995. 2) Tepper, Sh. The Gate to Women's Country, Doubleday, New York, 1988. Read More
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