Alice in Wonderland is one the most enduring books of the Nineteenth Century. It is unique in nature, and introduces a strange and wonderful world that appeals to children and adults alike. While some elements will appeal particularly to children and some to adults, other features of the novel will appeal to both groups, but in different manners…
The first element that will appeal to children is the fact that the main character in the book is a child. Children appreciate being told stories in which a girl or boy of their age-group are the protagonist. Also, while few children today will completely understand the situation of a Victorian school-girl, they will appreciate and perhaps even empathize with feeling bored when there is nothing else to do. Every child would love for the games they play within their imagination to magically come to life as they do when she hears a rabbit say "oh dear, oh dear, I shall be late" and then its action in taking "a watch out of its waistcoat pocket" (Carroll, 1992).
There is an immediacy and vivid nature to the Carroll's descriptions of both animals and events within the story that appeals to children. While what occurs in the story can seem quite complicated at times, especially compared to many more modern children's stories, they are also recounted in a concrete and memorable manner. The various animals that appear in the pool of tears, the Cheshire Cat, the animals at the tea-party and the various creatures in the game of cards are all described in a way that will appeal to children. ...
Thus the shrinking and enlarging that she undergoes, together with her various other adventures, introduce the children to the constant changes that occur in the book In many ways the children may be attracted to the story because it reflects their own experiences while dreaming and day-dreaming. The manner in which the story develops with the insane croquet game and the rather violent Queen who wants to execute all and sundry for the smallest of supposed transgressions appeals to children because they appreciate stories that may disturb them if not outright frighten them. Children do not appreciate being talked down to, or being presented with a sugar-coated view of the world that is not realistic. Carroll does neither. He presents a strange and exotic fantasy-world in which Alice can play croquet (or at least try to) with a flamingo and a hedgehog. This is a "fun" idea which nevertheless presents a rather bizarre view of the world.
One of the most remarkable features of this world is the manner in which there is apparently no sense of morality within the book. The Queen states "off with his head" at the slightest provocation, even to the Cheshire Cat who is, of course, only a head when he appears at the croquet game. Carroll does not fall into the tendency of many children's books to moralize, he rather presents an amoral world in which things occur at random. The Cheshire Cat appears and disappears for no apparent reason, and refuses to play into the supposed social order of this world. So when the King says "it may kiss my hand, if it likes", the Cheshire Cat replies "I'd rather not" (Carroll, 1992). This exchange might be seen as a microcosm of ...
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The nature of a growing child’s body as it expands and lengthens provides for protections and vulnerabilities that are different than an adult’s (Davids and Skinner, 2006). As well, the way in which a child develops cognitively means that different approaches to knowledge are required in order to communicate meaning (Garton, 2004).
The events for the first story are taking place in year 1999. The second story begins in the year 1966 which orbits around the life of Frieda (Paul’s mother). Her story mixed with the flavor of love narrates her affection and admiration for a drug-addicted rock star engaged to someone else and staying at the same hotel.
The Popularity Of Harry Potter With Children and Adults. Harry Potter is a character that is universal, and this is the reason why he is so appealing to people of different ages. He is a hero, he is powerful, he always makes the right decisions, and he is a paragon of universal truth and goodness.
Alice’s Adventures in Wonderland is more than a child’s fantasy of a reversed and chaotic world. It is also a socio-political satire on the conflict between the individual’s deepest consciousness and the actual world (Lucas, 158; Rackin, D., 313). This essay provides an analysis of some examples of the socio-political satire in Alice’s Adventures in Wonderland.
In addition to these, there are numerous minor characters who are equally outlandish: birds, mice, lizards, pigeons, lizards and more. Alice has great difficulty in communicating with these characters and is often at odds with them. This may be attributed to Alice being an outsider.
d written by Alice Walker, Celie (magnificently portrayed by Whoopi Goldberg) in the span of 30 years was horrendously subjected to criminal victimization of different nature ranging from incestuous rape, selling to the highest bidder, physical abuse, virtual slavery, repeated
ten listed with other heroines who find themselves transported to exotic lands – Dorothy from Baum’s Wizard of Oz books, the Pevensie sisters in The Lion, the Witch and the Wardrobe and Wendy in Barrie’s Peter Pan, for example. What’s interesting about this pairing is