Thesis statement: The aim of this paper is to analyze Golding’s novel, “Lord of the Flies” from Freudian point of view and to understand how his characters fit into the three parts i.e. Id, ego and superego.
1. Discuss Freud’s Structural theory: Id various bodily…
Golding agrees with Freud’s theory and builds his characters around the theory. Golding confirms the theory that if man is allowed to move according to his desires he will turn into a savage beast.
William Golding is a British novelist of the twenty first century. He is most famous for his novel “Lord of the Flies”. The novel is based on the Freudian concept of id, ego and superego. The characters in Golding’s novel go well with Freud’s theory where many characters, when marooned on an island, turn from being civilized to savagery. Golding agreed with Freud’s theory which divided mind into three parts. Freud believed that it is the society that imposes limitations on people. Once away from rules the primitive self of a person becomes prominent. For that matter he based his novel “Lord of the Flies” on Freud’s structural theory where children are trapped in a situation away from civilization and gradually deteriorate from being civilized to savage beasts. The aim of this paper is to analyze Golding’s novel, “Lord of the Flies” from Freudian point of view and to understand how his characters fit into the three parts i.e. Id, ego and superego.
Baron (2001) explains the structural theory by Freud according to which id is that part of the personality, reflecting “various bodily needs, sexual desires and aggressive impulses”. Id works unconsciously and if given opportunity it seeks immediate satisfaction of primitive needs. Ego is defined as “the part of the personality that “checks the id until conditions allow for satisfaction of its impulses”. Ego makes an effort to delay gratification until it can be found in socially approved ways. Superego is defined as the part of the personality which is close to morality and “seeks to control the satisfaction of id impulses—only when it is correct to do so as required by the ego”. The superego and the id are often found in conflict with one ...
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Each boy has a particular quality, like leadership, intelligence, or spirituality, but lacks in other qualities. Among these children, all below their teen age, it is Jack who represents the real human nature, with his greed for power. Finally the novelist shows in Lord of the Flies that neither the intelligence of Piggy nor the intuition of Simon along with the leadership qualities of Ralph, the savage instinct of Jack cannot be kept under check to save the island from total ruin, a miniature space standing for the entire planet.
Lord of The Flies, the work by William Golding, was published in the year 1954. This work deals with the subject matter of human nature and survival instinct. To be specific, the author makes use of the characters to portray human nature and its characteristics.
William Golding’s Lord of the Flies presents human society and human nature in highly negative and pessimistic terms. Human nature, within the context of this particular story, is incontrovertibly savage. When social and legal controls are removed and humans are left to their own devices, they revert to their animalistic, bestial nature.
In his story, Lord of the Flies, he shows that no matter what influences a person might have acquired and no matter what values he holds, when it comes to the point of survival or even sometimes when we are being provoked too much, we reach the threshold, and give in to these impulses the way animals do.
According to to the author of the text, power is a major theme in many aspects of social life. Notably, power can be divided in many different ways that will determine the extent to which individuals have a say in how their lives are governed. Besides, who has the power often dictates the type of lifestyles that can be enjoyed by the rest of society.
The major themes of the novel are the opposition of civilization and brutality, reason and impulse, order and chaos, loss of innocence and desire for aggression and power. Golding himself believed that man is inherently evil, and the beast inside him cannot be permanently
ion and society, a type of microcosm to the actual world. Simultaneously, the island lacks a community, in addition to the societal rules and regulations, thus, letting the boys go wild and portray their exact, ugly inner selves. Golding employs this setting as a
In this case, the shell is a symbol of civilization and a source of order. It is a crucial source of power and it is the boy who is in possession that has the right to command and speak to the others (Golding, 45). Over time, the shell loses its authority and when
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