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Term Paper (histories of photography)(visual art) - Essay Example

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Ph.D.
Essay
Miscellaneous
Pages 5 (1255 words)

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While there was a time when taking a photograph itself involved many delicate and carefully taken steps, the photography of today is easy yet with alterations and…

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Term Paper (histories of photography)(visual art)

he champions of the straight photography, it is defined as “Pure photography is defined as possessing no qualities of technique, composition or idea, derivative of any other art form.”
Dubbed as the “Patron Saint of Straight Photography”, Alfred Stieglitz (January 1, 1864 – July 13, 1946) began earnest photography in 1883 and from the very beginning was against the idea of manipulation of any sort in the photographs that, to him, meant capturing life completely as it is. He is most famously noted for his promotion of photography as a complete art form in itself. Through 1892 and onwards, Stieglitz became considerable famous for his photographs of the every day life of New York and Paris. He was one of those people who were able to see the transformation of New York City from one of considerable poverty to one that rose as a symbol of the modern world. His photographs have captured the essence of both eras and follow the transformation of the larva into the butterfly.
His one famous photograph is “The Terminal” which he took from the 4x5, which was, unlike the 8x10 camera not considered for professional purposes. However, due to his greater freedom of carrying the camera and talking photographs without a tripod, he was able to take as many photographs as he wanted through much greater ease. Using all natural elements such as the smoke and the ice, he softens the fame and presents his sober mood through the medium. All the faceless subjects of the photograph present what came to be recognized as his pioneering faculties in the field of straight photography. “Alfred Stieglitz photographed "The Terminal" after having waited hours in a snowstorm for his subject to compose itself as he wished it1.” (Faulkner et al, 1963, 279)
The complete feel and the aura of the photograph is captured by Stieglitz “I found myself in front of the old Post Office. The Third Avenue street railway and the Madison Avenue car systems had their terminals there, opposite ...
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