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The use of photography as evidence - Essay Example

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The art of photography has accessed an era of radical alteration since, technology now allows photographs to capture, store and display digital images without the usage of a film or paper. This prowess gives rise to a great deal of opportunity and some envisioned risks, as at…
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is fundamentally appropriate as it becomes more common and affordable, in case of questioning the existing safeguards in the rules of evidence which are complement the verification of the totality of visual evidence as captured and stored in a digital articulation. Questions regarding photography as evidence are so discrete that it might more distinguishingly be apprehended as a series of abstracted questions. With time concern, though a couple of centuries old, photography has gone through a tremendous gradation of technical developments, and as a result, it is well distinguished in today’s scenario as compared to what it was at its bearing.

This paper attempts to facilitate a critique of the cases which influence in the evaluation of the role of photography as an evidence. Furthermore, the emergence of the cases over a period of time, with reference to the accommodation of photojournalism in order to provide evidence is also outlined. With appropriate spreading as time passed by, photography is viewed as the most accurate representation of the reality or truth because, as such, it was equalized with truth; people seemed to believe that photography could not lie.

There were many pictures which belonged to the early times and revealed to man the factuality he has not even suspected to exist, for example, countries which he had never seen, or monuments he did not know about. Throughout the photography’s history, there have been a number of instances inclusive of relevant manipulations of photographs which have been acknowledged as real and truthful. However, with the advent of digital imaging in the early 1980s, the photographic circles were subjected to the fears regarding the aggravating dishonesty of photography.

Several prominent cases have depicted such fear, chiefly, one of the most eminent, was a picture published on the cover of the National Geographic in the year 1982, which demonstrated a group of Bedouins befalling the pyramids of Gysa (Photography

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