The purpose of this discussion is to analytically look at the twelfth century chapel which is adorned with virtual wall to wall murals entitled Santa Maria de Mur. This intricate and breathtaking chapel is truly a story in and of itself. The very center and upper portion of…
This is an appropriate comparison as both this piece and many pieces which have been found on the walls of pyramids, are symmetrical and surreal with extremely high activity which serves to tell a story. By symmetrical it is meant that the right and left side of the mural is equivalent in color scheme, size of characters as well as their placement. For example, Jesus, while centered in the upper quadrant of the piece, is accompanied on both sides by two angelic creatures.
The similarities to Egyptian pyramid murals is also visible in the life-less qualities of the two dimensional people included in the work. An example of this is the depiction of feet. Jesus’ feet in this piece, are eerily small compared to the rest of his body which is a continuity of disproportion. The angels on either side of him, resemble deer with human-like faces with angel wings. On both sides of the lower portion of Jesus’ positioning, there appear to be votives held by ascending chains. It is not clear what they are but what is clear, is that they are in equal proportion on the left and the right sides of Jesus. This could be assimilated to weights and balances which often represent justice and fairness. These could also be the ornate objects used by priests in the catholic church, in many religious ceremonies, as a symbolic act. The middle to lower portion of the piece is marked by 12 or so individuals with glowing halos above their heads. Certainly this may be and is most likely, the 12 apostles of Christ. They appear to be glorified similarly to Christ but certainly not to the same extent. They appear below Christ and the angels which makes sense within the natural order of Christian belief and Biblical ideology.
In this same portion of the mural, below the throne of Christ, there are what appear to be two windows or doors, which are each guarded or inclusive ...
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(Art History Essay Example | Topics and Well Written Essays - 1500 Words - 1)
“Art History Essay Example | Topics and Well Written Essays - 1500 Words - 1”, n.d. https://studentshare.net/miscellaneous/356005-art-history.
Over the past 200 years, art history has recorded a large number of artistic movements, some of great scale, others less important; however, they all turned out to either continue or oppose one another, hence being, without doubt, strongly interconnected.
In the city where the famous Basilica of San Vitale and the Basilica of Sant'Apollinare Nuovo is located, vestiges of Byzantine art and architecture can clearly be observed, reflecting the specific socio-cultural and historical contexts of the period when these structures were built (Fletcher and Cruickshank 282-320).
This leads to classical civilizations in Greece, Etruscans and Rome (509 BC-337 AD). Then came Medieval to early Renaissance Art which last from 400 ADD to 1400 AD, and included Early Christian Art, Byzantine, Islamic, Migratory, Carolingian, Ottonian, Romanesque and Gothic types of art.
One of the works in art history that I find to be most provocative is the Oliphants.
I have reconstructed my idea of “the power of art”, as before I thought of art as merely decorative objects of self-expression, by the artist, and with no other function.
imilarities between Mannerism and Rococo is that both had asymmetric features about their art works, unlike the unity and symmetry found in the Renaissance art. Mannerism was not “balanced and harmonious” like the Renaissance art (“Art History: Mannerism: (1520 - 1600)”,
The details of the portrait are urban based which involve a young he- body builder holding a lollipop from his hip through his crotch area, a naked woman touching her breast and a framed cover of a comic. This painting is characteristic of
In the context of this essay, the Chinese are seen to have been the influenced by the change taking place in the world of art and expression. This is with reference to the political oppression and governance that the country existed in up to date. The regime in China was authoritarian bordering on the dictatorial, which meant that most avenues for expression were restricted or non-existent
Historically the mina'i earthenware production outlines stories from the Persian epic, the Shahnama, originating before its most punctual surviving represented compositions by about a century. This bowl is H. 3 7/16 in. (8.7 cm) D: 8 11/16 in. (22.1 cm) Diam. 8 11/16 in. (22.1 cm).
Iconography is a term in visual arts that refer to use of imagery in a piece of artwork, or identification, classification, description, and the interpretation of symbols and images used in a piece of artwork. Fresco is a wall painting done on freshly laid lime plaster. Painters use fresh plaster for the colors to stick well resulting in glowing colors.