elusions, which he no longer held toward the end of the play, are the basis of the arguments that Death of a Salesman is an important work dealing with the American Dream. Willy Loman strongly holds in the play that the promise of the American Dream is to be well-liked and very well-known by everyone. “Death of a Salesman presents a rich matrix of enabling fables that define the myth of the American dream. Indeed, most theatergoers assume, on a priori level, that the principles Willy Loman values – initiative, hard work, family, freedom, consumerism, economic salvation, competition, the frontier, self sufficiency, public recognition, personal fulfillment, and so on – animate American cultural poetics… Although Willy Loman, inspired by a mythologized Dave Singleman and a desire to build a future for his boys through hard work, endorses such values, it is an endorsement foisted upon him less by personal choice than by a malevolent universe whose hostility mocks his every pursuit.” (Bigsby, 61-2) That is to say, the American Dream represented by Willy Loman is something imposed upon him by a malicious universe whose hostility mocks his every pursuit and there is less personal choice in his acceptance of this pertinent theme. Therefore, in reflective analysis of the American Dream represented by Willy Loman in the play by Arthur Miller, it becomes lucid that the protagonist does not live up to his expectation of the American Dream and his fascination for the superficial qualities of attractiveness and likeability is in disagreement with a gratifying understanding of the American Dream.
In the play Death of a Salesman, the protagonist Willy Loman strongly believes that the American Dream is the ability to become flourishing by sheer charisma and he fails to come up to his expectation of the American Dream. To the character, the key to success is merely personality, and not hard work and innovation. Therefore, Willy is greatly concerned about bringing up his