f 8 years old, McLaughlin became inspired of learning to play musical instruments when one of his brothers listened to Beethoven’s Ninth Symphony from a radio station (Stump, p. 12). A year later, McLaughlin had the privilege to learn how to play the violin and piano (Christian Pegand). After three years of playing the violin and piano, he started to dream of becoming a good guitarist. His dream of playing the guitar started on the day when his brothers started to play blues of Bill Broonzy (Christian Pegand; Stump, p. 12). This made McLaughlin became more exposed to the music of Leadbelly, Muddy Waters, and Sonny Terry among others (Stump, p. 12).
aware of the music industry (Stump, p. 12). Inspired with religious and cultural music in India and other Western classical music, McLaughlin became a famous jazz and classical guitarist that plays a wide-range of music styles and genres (Cal Performances). Because of McLaughlin’s passion to make other people happy by listening to his music, he exerted a lot of effort in terms of improving his knowledge and skills in playing musical instruments (Stump, p. 10). Later on, he became proficient in playing the violin and guitar (Stump, p. 13).
During the late 50s, McLaughlin played some musical instruments together with Peter Deuchar – the banjoist and his professors of Ragtime (Christian Pegand; Stump, p. 13). Before McLaughlin reached the age of 15 years old, he was very actively leading a band in school (Stump, p. 13). All this happened before he decided to go to London where he pursued his dream of being able to play in a rock and blues band. His decision to leave the school band was very much influenced by Miles Davis’ album “Milestones” which was released in the market back in 1957 (Stump, p. 13).
McLaughin’s exposure on blues music started when he reached London during the early part of 1960s (Stump, p. 15). Since then, McLaughlin took every chance he gets to have a jamming or recording sessions with