Each of the pieces shows a specific movement toward this new era, while providing different aspects outside of the Gothic style with the pieces.
The first way in which the pieces move outside of the Gothic style and into the Renaissance is the canvas that is used within each piece. For instance, “L’Annonciation” and “The Unicorn Tapestries” both use several different frames to depict a specific setting and story. While some of this is more Gothic in nature, it was a known attribute of the Renaissance era to combine the several panels and to create a movement through these several frameworks to create a different ideal. The space, according to the Gothic ideal is one that represented “freedom, movement and sense of relationship” (Stockstad, 537). Instead of a sense of complete freedom within each of these canvas,’ there is a defined frame that each carries to tell a story and to create a specific definition.
The canvas that is used within each then moves into the specific attributes and characteristics that each carries. This can first be seen with the ornamentation that is a part of the Gothic era and the Renaissance period. In the Gothic style, ornamentation was one of the central aspects to the different paintings, sculptures and architecture in the art work. This was defined as elegant in nature and was refined. The use of geometrical spacing to create the ornamentation was one of the central aspects of the Gothic era. However, the Renaissance began to rebel against this and to create more defined paintings, without the use of as much ornamentation or architecture in the background.
Each of the pieces that are seen has more of the Renaissance style then the Gothic approach to the ornamentation used. The picture, “L Annonciation” is one that shows this concept. While there is ornamentation in some of the background items and architecture