A tragic figure is someone who indeed has pride but is compelled to have an open mind when it comes to matters that involve others. And being the kind, it was a premier characteristic for a tragic hero to understand the repercussions of his actions before he set forth in giving exacting decisions. The fact that being rejected made Creon decide the fate of a person based from personal grudges is simply not heroic. Although he does not qualify in the definition of a tragic figure, he still possesses some characteristics that can be treated with nobility.
He came from a good lineage, albeit the fact that he inherited the crown with twisted means, and he has what it takes to take over an entire kingdom. His pride and composition makes for a talented king, one which will be able to defend his constituents when the need arises. However, his actions as a king must be measured. This he had proven as his weakness, for in the end he has led to the tragic affairs that would forever taint his rule.
Compared with Antigone, Creon is the weaker character. Antigone is a good example of a tragic figure, one which clings to her ideals if she knows they are right and would demand to be heard before she made her own means. Her actions towards the burial of an important person prove how fearless she is. And when it comes to dying, she chose to die with honor. Creon, in contrary, lack the courage it took Antigone to take her own life. That and that alone, is enough proof that Creon is nothing like Antigone. He is nothing like the sort of man a woman could trust decisions in. He failed to discuss his options and saw the fruit of indecision leading to untoward events. As king, it was his obligation to care for his minions, which he never fulfilled with satisfaction.
In argument, sympathy can be felt for him at the end of the play when the actions he had started led to a vile event that he had not seen coming. Indeed, no one would have