Directors can create very different effects through the use of camera movement, film style, actor choice and soundtrack that subtly enhance our movie-watching experience. At the same time, these choices can help emphasize the main ideas that the director is trying to convey…
This sense is emphasized by Stone’s employment of several real-life participants in depicting his version of events. By refusing to recast the president, for example, Stone proves his talent as a director working with limited available footage and injects reality into the story. When he uses the Zapruder film, Stone is able to inject a somber mood of reflection as audiences realize this is the actual event and not a staged recreation. Another significant appearance is Jim Garrison playing the role of the Honorable Chief Justice Earl Warren. By placing him in this role, Stone suggests that anyone placed in the real life role may have been obligated to come to the same conclusions the Warren Commission delivered. Real life assassination witness Jean Hill also appeared in the film as the stenographer taking down Hill’s real life statement. Again, the underlying message is that of authenticity – Hill wouldn’t change her own statements or misrepresent what she said herself.
The overall style of the film further emphasizes authenticity. The video montage of the first section of the film establishes its link with reality by showing real news footage. The video is left in its television-sized format, surrounded by plenty of black space, making the theater dark and bringing the mood of the audience into alignment with the seriousness to follow. However, the gradual reduction of the music to only rhythmic, heartbeat-like strikes on the drum help create dramatic tension leading up to the flash of a completely black screen and the sound of shots being fired. This is followed by the almost equally dark CBS New Bulletin screen and newscaster voiceover announcing the news that the president had been shot. The first full screen footage seen by the audience is that of the Zapruder film documenting the president’s final moments within a nearly silent environment. All that can be heard is the ...
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Lead character Jasmin Munchgstettner played by Marianne Sagebrecht is a German tourist with her husband played by Hans Stadlbauer. While driving across the California desert, the couple has a fight and she stormed out of the car, odging her suitcase out of the trunk to thesolitary highway as her husband drove off.
The film is fast paced and uses a lot of flashback scenes to explore the story. The story could be termed predictable as it deals with familiar subjects of gangs, racial tension, and a back-from-the-brink plot. The story unfolds through the elements of hate and insecurity, idealized sibling relationship.
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The studio was correct about his heritage. This paper reviews this landmark film, often considered one of the best films of all times, in context of its production history, artistic importance and directorial intent. The production history of the film is a study in studio arrogance and fear of non-conformity.
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d a way in which to take care of her family and her unborn child and feels forced to accept a position as a drug mule because of the deplorable conditions of ‘legitimate’ work. While Boyd criticizes the film for being too typical in the contrast between the myths of
The sport was considered as the sole pastime and major and minor leagues attracted a lot of viewers. As the war grew players from the leagues were asked to join the army to increase manpower.1 The ongoing war posed a
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